Detective and mystery stories; Murder -- Investigation -- Fiction; Police -- England -- Fiction
He held the cap as before, and the foreman carefully picked out with
the cold chisel the sawdust surrounding the fingers. As its level
lowered, the remainder of the hand and the wrist gradually became
revealed. The sight of the whole only accentuated the first
impression of dainty beauty and elegance.
Broughton emptied the cap on to the top of the cask. Three more
sovereigns were found hidden in it, and these he pocketed with the
others. Then he turned to re-examine the cask.
It was rather larger than the wine-barrels, being some three feet six
high by nearly two feet six in diameter. As already mentioned, it was
of unusually strong construction, the sides, as shown by the broken
stave, being quite two inches thick. Owing possibly to the difficulty
of bending such heavy stuff, it was more cylindrical than barrel
shaped, the result being that the ends were unusually large, and this
no doubt partly accounted for Harkness’s difficulty in upending it.
In place of the usual thin metal bands, heavy iron rings clamped it
together.
On one side was a card label, tacked round the edges and addressed in
a foreign handwriting: ‘M. Léon Felix, 141 West Jubb Street,
Tottenham Court Road, London, W., via Rouen and long sea,’ with the
words ‘Statuary only’ printed with a rubber stamp. The label bore
also the sender’s name: ‘Dupierre et Cie., Fabricants de la Sculpture
Monumentale, Rue Provence, Rue de la Convention, Grenelle, Paris.’
Stencilled in black letters on the woodwork was ‘Return to’ in
French, English, and German, and the name of the same firm. Broughton
examined the label with care, in the half-unconscious hope of
discovering something from the handwriting. In this he was
disappointed, but, as he held the hand-lamp close, he saw something
else which interested him.
The label was divided into two parts, an ornamental border containing
the sender’s advertisement and a central portion for the address.
These two were separated by a thick black line. What had caught
Broughton’s eye was an unevenness along this line, and closer
examination showed that the central portion had been cut out, and a
piece of paper pasted on the back of the card to cover the hole.
Felix’s address was therefore written on this paper, and not on the
original label. The alteration had been neatly done, and was almost
unnoticeable. Broughton was puzzled at first, then it occurred to him
that the firm must have run out of labels and made an old one do duty
a second time.
‘A cask containing money and a human hand--probably a body,’ he
mused. ‘It’s a queer business and something has got to be done about
it.’ He stood looking at the cask while he thought out his course of
action.
Public-domain text, read in full here on John Shaqi.
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