Gothic fiction; Horror tales; Inheritance and succession -- Fiction
“Bless me,” said Matilda, “did not you observe his extreme resemblance to
the portrait of Alfonso in the gallery? I took notice of it to Bianca
even before I saw him in armour; but with the helmet on, he is the very
image of that picture.”
“I do not much observe pictures,” said Isabella: “much less have I
examined this young man so attentively as you seem to have done. Ah?
Matilda, your heart is in danger, but let me warn you as a friend, he has
owned to me that he is in love; it cannot be with you, for yesterday was
the first time you ever met—was it not?”
“Certainly,” replied Matilda; “but why does my dearest Isabella conclude
from anything I have said, that”—she paused—then continuing: “he saw you
first, and I am far from having the vanity to think that my little
portion of charms could engage a heart devoted to you; may you be happy,
Isabella, whatever is the fate of Matilda!”
“My lovely friend,” said Isabella, whose heart was too honest to resist a
kind expression, “it is you that Theodore admires; I saw it; I am
persuaded of it; nor shall a thought of my own happiness suffer me to
interfere with yours.”
This frankness drew tears from the gentle Matilda; and jealousy that for
a moment had raised a coolness between these amiable maidens soon gave
way to the natural sincerity and candour of their souls. Each confessed
to the other the impression that Theodore had made on her; and this
confidence was followed by a struggle of generosity, each insisting on
yielding her claim to her friend. At length the dignity of Isabella’s
virtue reminding her of the preference which Theodore had almost declared
for her rival, made her determine to conquer her passion, and cede the
beloved object to her friend.
During this contest of amity, Hippolita entered her daughter’s chamber.
“Madam,” said she to Isabella, “you have so much tenderness for Matilda,
and interest yourself so kindly in whatever affects our wretched house,
that I can have no secrets with my child which are not proper for you to
hear.”
The princesses were all attention and anxiety.
“Know then, Madam,” continued Hippolita, “and you my dearest Matilda,
that being convinced by all the events of these two last ominous days,
that heaven purposes the sceptre of Otranto should pass from Manfred’s
hands into those of the Marquis Frederic, I have been perhaps inspired
with the thought of averting our total destruction by the union of our
rival houses. With this view I have been proposing to Manfred, my lord,
to tender this dear, dear child to Frederic, your father.”
“Me to Lord Frederic!” cried Matilda; “good heavens! my gracious
mother—and have you named it to my father?”
“I have,” said Hippolita; “he listened benignly to my proposal, and is
gone to break it to the Marquis.”
“Ah! wretched princess!” cried Isabella; “what hast thou done! what ruin
has thy inadvertent goodness been preparing for thyself, for me, and for
Matilda!”
Public-domain text, read in full here on John Shaqi.
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