Brittany (France) -- Fiction; France -- History -- Medieval period, 987-1515 -- Fiction; Historical fiction; Women -- Fiction
At this point in the familiar song, sung with a fervor she had never
dreamed of, Laure rose involuntarily from the bed, and, redder than any
flower, stole to the window. Timidly, her heart beating so that she was
like to choke, she looked out into the snowy clearing. Just beneath her,
in the shadow of the wall, so close that a whisper from him might easily
have been heard, stood Flammecœur.
He was scanning closely the row of cell windows above him, hoping
against hope for a sight of Laure’s face. Ignorant as he was of convent
hours, he knew that he had but the barest chance of making her hear; and
that there was less than this chance of seeing her. Thus when Laure’s
face, framed in its soft white veil, looked out to him, Flammecœur
experienced a rush of emotion that was overpowering. She inspired him
with a reverence that he had not known he could feel for any woman. Her
face was so glorified in his eyes that she looked like an image of the
Holy Virgin. Breaking off in the middle of the song, he fell upon his
knees there in the snow, uttering incoherent and indistinguishable
phrases of adoration.
Flammecœur was theatrical enough; also he was hard, utterly
unscrupulous, and a scoffer at holy things. His only idol was his love
for beauty. This was his religion, and he had worshipped it consistently
from boyhood. Now he had found its almost perfect embodiment in this
girl, in whom innocence, purity, youth, and beauty were inextricably
mingled. And Flammecœur strove to adjust his rather callous spirit to
hers, feeling that he would sooner breathe his last than shock her
delicacy—till he had attained his end.
Now, in the dying sunlight, the two talked together; and in the light of
his new reverence the young nun lost a little of her timidity and made
open confession in her looks, though never in her words, of her delight
in his presence.
“Tell me, O Maiden of Angels,” he said, addressing her in a term that at
once brought them both a sense of familiarity and of pleasure, “tell me,
is this thy regular hour of solitude? Could I—might I hope—to see thee
often here—hold speech with thee—without endangering thy devotions?”
“Nay, verily!” whispered Laure, hastily. “Oh, thou must not come! Nay, I
am supposed to be with the other sisters at this hour of recreation.
Only to-day was I permitted—”
“And didst thou think of me? Hopest thou I would come? Didst think—”
“Monsieur!” Laure’s tone was reproachful and embarrassed.
“Forgive me! Though verily I know not how I have offended thee!”
Laure was about to utter her reproach when suddenly, around the corner
of the wall, appeared the head of Flammecœur’s horse. All at once, at
this apparition, the old spirit of freedom and the old love of liberty
rushed over her. “Ah, would that I might leap down there into the snow,
and mount with thee thy steed, and ride, and ride, and ride back to my
home in Le Crépuscule!” she cried out, utterly forgetful of herself and
of her position.
Public-domain text, read in full here on John Shaqi.
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