Brittany (France) -- Fiction; France -- History -- Medieval period, 987-1515 -- Fiction; Historical fiction; Women -- Fiction
When Gerault entered the courtyard a girl stood drawing water from the
round, stone well. Two or three henchmen lolled in the doorway of the
keep, chaffing a peasant who had come up the hill from one of the manor
farms carrying eggs in a big basket. Just outside the stables, which
occupied the whole east side of the courtyard, a boy stood rubbing down
a sleek, white palfrey. All of these people respectfully saluted their
lord, who returned them rather a curt recognition as he passed round the
west tower on his way to a little narrow building just in front of the
north gate, in which his falcons were housed through the winter. Gerault
had a great passion for hawking, and his birds were always objects of
solicitude with him. He and Courtoise, his squire, were accustomed to
spend much time together in this little building, and in the open-air
falconry on the terrace outside the north gate, where young birds or
newly captured ones were trained.
Just now Gerault stood in the doorway of the falcon-house, looking
around him for Courtoise, whom he had thought to find within. He was
speaking to the bird on his wrist, his mind still occupied with the
recent talk with his mother, when, through the gate, came a burst of
laughter and song, and he raised his eyes to see a giddy company swaying
toward him in the measure of a “carole”[1] led by Courtoise and Laure’s
foster-sister, Alixe la Rieuse. Moving a little out of their way he
stood and watched the group go by,—the demoiselles and the squires of
the Castle household, retained by his mother as company for herself,
also to be trained in etiquette according to their several stations. And
a pretty enough company of youth and gayety they were: Berthe, Yseult,
Isabelle, Viviane, daughters all of noble houses; with Roland of St.
Bertaux, Louis of Florence, Robert Meloc, and Guy d’Armenonville, called
“le Trouvé.” But, of them all, Alixe, surnamed the Laughing One, was the
brightest of eye, the warmest of color, and the lightest of foot.
Footnote 1:
A “carole” was originally a dance to which the dancers sang their own
accompaniment.
As they went by, Gerault signalled to his squire, Courtoise, and the
young fellow would have disengaged himself immediately from his
companions, but that Alixe suddenly broke her step, dropped the hand of
Robert Meloc, who was behind her, and leaving the company, ran to
Gerault’s side, dragging Courtoise with her. The dance ceased while the
young people stood still, staring at their erstwhile leaders. Alixe,
however, impatiently motioned them on.
“Go back to the Castle with your ‘Roi qui ne ment pas.’[2] I will come
soon.”
Footnote 2:
An old-time game.
Obedient to her command, the little company resumed their quaint song,
and, with steps that lagged a little, passed into the Castle, leaving
their arbitrary leader behind them, with the Seigneur and his squire.
Public-domain text, read in full here on John Shaqi.
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