Harold appears to have received these lands with the avowed purpose of founding a religious house, by which, while according to the superstitious belief of that age, he was securing the salvation of his own soul, he flattered the monastic prejudices of King Edward. In the twelfth century, the monks of Waltham had also a legendary account of this second foundation: they said that Earl Harold, on his return from the conquest of the Welsh, was visited by a dangerous attack of paralysis, which defied the skill of the physicians, until it was miraculously cured by a visit to the Holy Cross.[208] From that moment, it is pretended the Earl never relaxed in his attachment to Waltham: in place of the small foundation of Tovi, he built a magnificent church; and there are strong reasons for supposing that, in spite of his patriotic feelings and his known hatred to foreigners, he employed Norman artists and workmen. The Waltham writers of the twelfth century, who saw Harold’s church in its original form, speak of it in the most enthusiastic terms, and tell us how, under the hands of his builders, the walls and columns rose up in lofty majesty, while the latter were connected by numerous arches, and the walls supported a roof groined within and protected by lead without.[209] The interior of the building was covered with “plates of brass, gilt;” and the bases and capitals of the columns, with the “bendings” of the arches, were ornamented with sculpture.[210] It is now ascertained, that in early times the interior of churches, and also of other buildings, was painted in bright colours, and gilt: the gilding being probably executed on thin plates of metal which were attached to the stone-work. This mode of ornamentation afterwards gave place to elaborate sculpture and carving. The mouldering remains of these buildings, although still imposing by their grandeur, convey to us only a slight idea of the effect which they must have produced when adorned with paintings and glittering with gold. The <g>Interior</g> of Waltham Abbey Church, degraded and mutilated as its ornaments and proportions are at the present day, conveys to our mind no mean idea of the former splendour of Harold’s church, of which we can hardly doubt that it forms a genuine portion. As we survey its rows of massive columns, and compare them with the humble objects around, we feel ourselves mentally carried back eight hundred years to the festive scene which followed their erection. At the consecration of those walls, were present, besides the founder Earl Harold, the last King and Queen of the regal line of the Anglo-Saxons--Edward the Confessor, and the fair and interesting Edith, with two archbishops--Stigand of Canterbury and Aldred of York, eleven bishops (among whom the most [Illustration]