The chief servants of the nobility--so they were called, but they were rather followers or clients--were still the younger sons of respectable, or even noble families, who attached themselves to the fortunes of a powerful patron, and served him either in court or military affairs, for which they were allowed separate retinues in men and horses, with gratuities in money, and promises of promotion.[216] The progress of improvement that had banished minstrels, jugglers, and tumblers, from princely establishments, had naturally introduced the drama in their room; and, accordingly, we sometimes find a company of actors classed among the servants of the chief noblemen, as well as a family physician, or even a whole band. <g>A steward</g>, distinguished by a velvet jacket, and a gold chain about his neck, presided as marshal of the household, and next to him was the clerk of the kitchen. But these cumbrous appendages were daily lessening, as domestic comfort came to be better understood. This improvement, however, had commenced still earlier among those of less rank and pretension. All who had their fortune still to seek in the court, or in the army, and all who repaired to the metropolis in quest of pleasure, found, so early as the time of Elizabeth, that the bustle and the scramble of new and stirring times, made a numerous train of attendants an uncomfortable appendage. The gallant, and the courtier, therefore, like Sir John Falstaff, studied “French thrift,” and contented himself with a single “skirted page,” who walked behind him carrying his cloak and rapier.[217] In consequence of the extravagant living introduced during this period, the spendthrift gentleman often sank into the serving-man, as we may see from the frequent recurrence of such a transformation in the old plays. When servants were out of place--as we learn from the same authentic pictures of the real life of the times--they sometimes repaired to St. Paul’s Churchyard, the great place of public lounge, and there stood against the pillars, holding before them a written placard, stating their peculiar qualifications, and their desire of employment.[218] “But whatever retrenchment,” observes the same author, “might be making in the household expenditure by a diminished attendance, it was more than counterbalanced by an extravagance in dress, and personal ornament, that had now become an absolute frenzy.” It is said that King <g>James</g> almost daily figured in a new suit, a humour that soon became prevalent among his courtiers. Still more generally influential than his own example was that of his several handsome favourites, all of whom having been indebted for the royal favour merely to their personal attractions, spared no pains nor cost to give those natural advantages their full effect.[219]