The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors — John Shaqi
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authorsBeattie, William
History
The castles and abbeys of England; Vol. 2 of 2: from the national records, early chronicles, and other standard authors
Beattie, William
Abbeys -- England; Castles -- England
<g>The Passage</g>, or gallery, leading down to the vaulted chamber, is
accurately shown in the annexed woodcut. It has an air of Gothic
antiquity that harmonizes well with the place, for its pointed style and
proportions clearly show that it belongs to the earliest portion of the
structure. The massive arch, seen through the opening, is that of the
mysterious chamber already noticed. The window,[30] terminating the
vista, overlooks the river, and seems to project from the precipitous
rocks that here form an impregnable barrier to the fortress; and even
when the tide is at its full, the window seems suspended at a dizzy
height above the water. The uses to which the passage and its chamber
were originally applied, were probably those of a temporary refuge and
retreat; and were, no doubt, well understood and appreciated by the
Norman castellan, to whom the means of successful resistance or safe
retreat were the grand objects in a feudal residence.
<g>Such</g> are the general features of this ancient stronghold.[31] But on the
minuter points of its history, architecture, and internal arrangements,
our restricted limits will not permit us to enlarge; but, aided by
faithful engravings and woodcuts, the descriptions, however brief, may
serve to convey a detailed and correct notion of the whole.
<g>Persefield.</g>--In the immediate environs, many objects are found to invite
the traveller’s attention; but, as a combination of rich English
scenery, the attractions of Persefield, or Piercefield, stand
pre-eminent. The house and grounds are thus briefly described: The
latter extend westward along the precipitous banks of the Wye, as shown
in the engraving. On the north is the Wind-Cliff, or Wynd Cliff. The
grounds are divided into the lower and upper lawn by the approach to the
house, a modern edifice, consisting of a stone centre and wings, from
which the ground slopes gracefully but rapidly into a valley profusely
shaded with ornamental trees. To give variety to the views, and disclose
the native grandeur of the position, walks have been thrown open through
the woods and along the precipitous margin of the river, which command
the town, castle, and bridge of Chepstow, with the Severn in the
distance, backed by a vast expanse of fertile valleys and pastoral
hills. But to describe the romantic features of this classic residence
with the minuteness they deserve, would far exceed our limits; it is a
scene calculated to inspire the poet as well as the painter; and it is
gratifying to add that, by the taste and liberality of the owner,
strangers are freely admitted to the grounds and walks of Persefield.
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