She never worried--much, though she confessed at first it was rather
trying, and that she caught herself wandering about looking into
corners, searching for what she knew went away in a basket the day
before. It was just a habit mothers got into, and when a few weeks had
elapsed she just shook herself and thought no more of the kitten that
had gone to make its mark on some one else's chair cushions. 'Dear me!'
she used to say, 'I have on an average five kittens a year. What should
I do with them all hanging about, getting in my way at every turn? I
should become irritable, I should snap at them, I should positively
hate them as soon as they became independent and I could do nothing for
them. It is best as it is.'
After that speech of mother's, I was not so sure that I wanted to be
the kitten They chose to keep, that is, if mother meant to turn round
and bully me as soon as I could stand up for myself. It seemed strange
to hear her talk like that, and yet one likes to be forewarned.
Rosamond gave us temporary names--reach-me-down names, she called them.
Fred B. Nicholson was allowed to stand; the boy Auntie May called
Admiral Togo, a Japanese name, I understand. The two girls were
Zobeide and Blanch. I was called Loki, after the devil.
They did not know, but we all had one name already, a traditional one
in our family. It was Pasht. Our ancestors lived at a place called
Bubastis. For convenience' sake, however, we stuck to the names They
gave us. They seemed to have an idea that we should answer to them and
come when we were called, but mother told us on no account ever to do
so, it would be false to every tradition of our class. We might go as
far as to twitch an ear when we heard our name spoken pleasantly, but
only on the very rarest occasions were we to stir a paw. Then, if we
decided to go to Them, it was at least manners to stop half-way and
scratch. If the name was spoken in an unfriendly tone, the thing to
do was just to stare the impertinent creature down. At Bubastis, in
the olden time, our ancestors had been worshipped and prayed to. In
the studio downstairs, where mother had been a constant visitor in the
days when she was free of domestic cares, there is one of our ancestors
under a glass case just as he was buried when he died thousands of
years ago. He is all wrapped in a sort of brown greased cloth, so
mother says, many hundred folds of it, but still you can perfectly
well see the original shape of our many-hundreds-of-times-over
great-uncle. Nobody has ever unwrapped him; it would be very wicked
to do it, and might bring misfortune on the house. Altogether he is
treated with the greatest respect, and mother is quite content to have
it so. We are taught to look on that room not as the studio as They
do, but as the Family Tomb, and mother says that when we grow up and
are permitted to sit there sometimes, we must all keep very quiet and
behave seriously and do no romping.
CHAPTER II
Public-domain text, read in full here on John Shaqi.
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