In the big unused parlor she threw open the shutters and parted the
curtains to let in the sunlight. Hortense was at once absorbed in the
treasures she found. The room was filled with things which Grandfather
had brought home from his travels all over the world. There were heavy,
dark red tables carved with all kinds of flowers and animals, bright
silk cushions, little ebony tabourets with brass trays upon them,
curious vases and lacquer boxes from China and Japan. On the mantel was
a beautiful tree of pink coral in a glass case, and beside it were
wonderful shells and little elephants carved from ivory. On the walls
were bits of embroidery framed and covered with glass, picturing
bright-plumaged birds and tigers standing in snow.
Most fascinating of all were the strange weapons arrayed in a pattern
upon one wall--spears, guns, bows and arrows, swords and knives,
boomerangs, war clubs, bolos--weapons which Hortense had seen only in
pictures in her geography and in books of travel. They all seemed dead
and harmless enough now, not likely to come down from the wall and
wander about the house at night. Hortense doubted whether they would
even speak.
However, one was different, quite wide-awake and, Hortense could see,
only waiting for a chance to leap down from the wall. It was a long
knife with a green handle made from some sort of stone. Its shape was
most curious, like the path of a snake in the dust. Like a snake, too,
it seemed deadly, and the light that played upon its sinuous length and
dripped from the point like water, glittered like the eyes of a
serpent.
"What an awful knife," said Hortense.
"Those spears and knives give me the shivers," said Mary. "I've told
your Grandfather I'd never touch them."
"Most of them are dead," said Hortense, "but the one with the curly
blade and the green handle looks as though it could come right down at
you. I'd like to have that one."
Mary jumped.
"Don't you touch it," she said severely. "You might hurt yourself
dreadfully."
Hortense said no more, but resolved to ask Grandfather about the knife
at the first opportunity. Sometime, when she had a chance, she would
come to the parlor and talk with the knife. It must have lovely,
shivery things to tell.
There was also a couch which fascinated her, a long, low couch with
short curved legs and brass clawed feet. Hortense surveyed it for a
long time.
"It looks like an alligator asleep," she said at last. "I wonder if it
ever wakes up."
"What does?" Mary asked.
"The couch," said Hortense. "See its short curved legs, just like an
alligator's? And it's long. Probably its tail is tucked away inside
somewhere. Alligators have long tails, you know. I saw an alligator
once that looked just like that."
"I declare," said Mary, "you are an awful child. I won't stay in this
room a bit longer. I feel creepy."
She gathered up her dust cloths and broom, and Hortense went
reluctantly with her.
"Do show me the attic, Mary," Hortense pleaded.
Public-domain text, read in full here on John Shaqi.
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