The Catacombs of Rome, and Their Testimony Relative to Primitive ChristianityWithrow, W. H. (William Henry)
History
The Catacombs of Rome, and Their Testimony Relative to Primitive Christianity
Withrow, W. H. (William Henry)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
The human affections are the same in every age. These simple objects
speak more directly to the heart than “storied urn or animated bust.”
As we gaze upon these childish toys in the Vatican Museum the
centuries vanish, and busy fancy pictures the weeping Roman mother
placing these cherished relics of her dead babe in its waxen hands or
by its side, as it is laid from her loving arms in the cold embrace of
the rocky grave, and then, with tear-dimmed eyes, taking a last, long,
lingering farewell of the loved form about to be closed from her sight
forever.
Numerous toilet articles have also been found in the Catacombs,
generally in the graves of the dead or cemented by the plaster to the
tombs. Many of these have been plundered and lost; but still a very
interesting collection exists in the Vatican Library. Among its 388
contents are long silver or ivory bodkins for the hair, combs of box
or ivory, scent-bottles and boxes of perfume, broaches, earrings,
bracelets, sometimes with keys to unlock the clasps, and other
ornaments in bronze, silver, or gold.[654] The simpler manners of the
Christian women, as compared with those of pagan faith around them, is
indicated by the conspicuous absence of the rouge pots and jars of
cosmetics, and many other articles of luxury, which formed so
important a part of the toilet requisites of Rome’s proud dames, and
which are so frequently found in the ruins of Pompeii. The Christian
ornaments, moreover, even after the departure from the primitive
simplicity of manners, were of a very different character from those
of the corrupt civilization of paganism. Instead of the abominable
representations of heathen art, suggesting every evil thought and
stimulating every vile passion, of which so many examples occur in the
Museum of Naples, only chaste and modest figures are found; and even
the articles of the toilet are frequently adorned with pious mottoes.
Thus, on a bodkin for a lady’s hair, probably a love-gift to a wife or
betrothed bride, is engraved the beautiful sentiment, ROMVLA
SEMPER VIVAS IN DEO--“Romula, may you ever live in God.” Such a
religious art seems an anticipation of the day when “Holiness to the
Lord” shall be written upon the bells of the horses.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account