"I will not contradict you," said the Abbe Plomb. "Now that we have
studied the series of types placed on St. Anne's left hand, let us
consider the prophetic series on her right.
"First we see Isaiah; the pedestal on which he stands represents Jesse
sleeping. The familiar stem, rooted in him, passes between the prophet's
feet, and the branches of the Virgin's ancestry according to the flesh
and the spirit, as they rise, fill the four courses of moulding in the
central arch. By his side is Jeremiah, who, meditating on the Passion of
Christ, wrote this lamentable passage which is read in the fifth lesson
of the second Nocturn on Easter Eve: 'All ye that pass by, behold and
see if there be any sorrow like unto my sorrow.' Next Simeon holding the
Infant whose Birth he had foreseen, at the same time with the sorrows of
the Virgin and the anguish of Golgotha; Saint John the Baptist, and
finally Saint Peter, whose dress is an interesting study since it is
copied from that of the thirteenth-century Popes.
"With what care is every detail wrought! Admire the treatment of the
sandals, the gloves, the broidered amice, the alb, the maniple, the
dalmatic, the pallium marked with six crosses, the triple crown, the
conical tiara of brocaded silk, the pontifical breastplate, everything
is chiselled, pierced, and patterned as if by a goldsmith."
"Very true. But how superior altogether is the Saint John to his fellows
on this front. What mastery we discern in that hollow, emaciated face,
as expressive as the others are dull. He is apart from the conventional
and hackneyed type. He stands upright, savage but mild, with his beard
in curling prongs, his lean frame, his raiment of camel-skin; we can
hear him speaking as he points to the Lamb carrying the hastate cross
surrounded by a nimbus, pressing it to his bosom with both hands. That
statue is sublime, and it is most certainly not by the same hand that
carved the Abraham, nor even his immediate neighbour, Samuel. This
prophet appears to be offering to David, who cares not, a lamb he is
feeling, head downwards. He is a butcher pricing his goods, weighing the
meat, inviting you to feel it, and hesitating to sell till he gets the
best price. How different from the Saint John!"
"The tympanum of the door will have no charm for us," the Abbe went on.
"The death of the Virgin, Her assumption and coronation are more curious
to read of in the Golden Legend than to study in those has-reliefs which
are but an epitome.
"We will proceed to the left-hand doorway.
"It is much mutilated, in a lamentable state of ruin. Most of the large
statues have disappeared. There were once, it would seem, as on the
royal porch of Notre Dame at Paris and the southern porch at Reims, the
figures of the Synagogue and the Church; also Leah and Rachel, typifying
the active and the contemplative life, of which we shall decipher the
details recorded in the archivolt.
Public-domain text, read in full here on John Shaqi.
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