"Of the large figures that remain, three are regarded as masterpieces: the Virgin, Saint Elizabeth, and Daniel. "That is saying a great deal," cried Durtal. "They are stupid-looking and the drapery is cold; the arrangement of their robes recalls the Greek peplum; they have a prophetic savour of the Renaissance." "I will not contradict you; but what is really attractive is the scheme of ideas expressed by the figures in the hollow mouldings of the arch of this portal, based on an equilateral triangle. As to the tympanum, which displays the Nativity, the calling of the Shepherds of Bethlehem, the dream and adoration of the Kings, it is marred and worn by time; nor is it in a style of art that can move us deeply. "Study the mouldings of the arch with the four rows of images that adorn them. First the inner one, with its ten torch-bearing angels; the second, illustrating the parable of the wise and foolish virgins; the third, representing the _Psychomachia_, or struggle between the Virtues and the Vices; the fourth, a row of twelve queens embodying the twelve fruits of the Spirit; and linger over the enchanting series of statues in the moulding at the very edge of the archway of the porch, representing the occupations of the active and the contemplative life. "The active life, on the left, is imagined in accordance with the picture of the virtuous woman in the last chapter of Proverbs. She is seen washing wool in a bowl, carding it, stripping the flax, beating it, spinning it on a distaff, and winding it into hanks. "On the right is seen the contemplative life; a woman praying, holding a closed book, opening it, reading it; she shuts it to meditate on it, teaches others, and falls into an ecstasy. "Finally, in the outermost hollow of the moulding of the arch, the nearest to us and the most visible, there are fourteen statues of queens, leaning on shields with coats-of-arms, and formerly holding banners. The meaning of these statuettes has been much discussed, especially of the second figure on the left, which is named '_Libertas_' the word being carved in the stone. Didron believed them to represent the domestic and social virtues; but the question has been finally and definitively settled by the most erudite and clearsighted symbolist of our day, Madame Felicie d'Ayzac, who, in a very edifying pamphlet published in 1843 on these statues and on the animals of the Tetramorph, has proved to demonstration that these fourteen queens are none else than the fourteen heavenly Beatitudes as enumerated by Saint Anselm: Beauty, Liberty, Honour, Joy, Pleasure, Agility, Strength, Concord, Friendship, Length of Days, Power, Health, Safety, and Wisdom. "Is not this porch, as a whole, so closely set with imagery, one of the most ingenious and interesting doorways known, from the points of view of theology and of mysticism alike?"