A sacristan came in through a little door opening into the other
transept, and lighted the tapers on the high altar; then strings of
silver-gilt hearts became visible in the semicircle all along the walls,
reflecting the blaze of flames, and forming a glory for a statue of the
Virgin sitting, stiff and dark, with a Child on Her knees. This was the
famous Virgin of the Cavern, or rather a copy of it, for the original
was burnt in 1793 in front of the great porch of the Cathedral, amid the
delirious raving of _sans-culottes_.
A choir-boy came in, followed by an old priest; and then, for the first
time, Durtal saw the Mass really as a service, and understood the
wonderful beauty that lies inherent in a devout commemoration of the
Sacrifice.
The boy on his knees, his soul aspiring and his hands clasped, spoke
aloud and slowly, rehearsing the responses of the Psalm with such deep
attention and respect, that the meaning of this noble liturgy, which has
ceased to amaze us, because we are so used to hearing it stammered out
in hot haste, was suddenly revealed to Durtal.
And the priest himself, unconsciously, whether he would or no, took up
the child's tone, imitating him, speaking slowly, not merely tripping
the verses off the tip of his tongue, but absorbed in the words he had
to repeat; and he seemed overwhelmed, as though it were his first Mass,
by the grandeur of the rite of which he was to be the instrument.
In fact, Durtal heard the celebrant's voice tremble when standing before
the altar in the presence of the Father, like the Son Himself whom he
represented, and imploring forgiveness for all the sins of the world
which He bore on His shoulders, supported in his grief and hope by the
innocence of the child whose loving care was less mature and less lively
than the man's.
And as he spoke the despairing words, "My God, my God, wherefore is my
spirit heavy, and why dost Thou afflict me?" the priest was indeed the
image of Jesus suffering on the hill of Calvary, but the man remained in
the celebrant--the man, conscious of himself, and himself experiencing,
in behoof of his personal sins and his own shortcomings, the impressions
of sorrow contained in the inspired text.
Meanwhile his little acolyte had words of comfort, bid him hope; and
after repeating the _Confiteor_ in the face of the congregation, who on
their part purified their souls by the same ablution of confession, the
priest with revived assurance went up the altar steps and began the
Mass.
Public-domain text, read in full here on John Shaqi.
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