His impetuosity was soon restrained. He tumbled immediately into a crowd,
and pulling himself up abruptly and looking down the High Street he saw
that the pavement on both sides of the street was black with people. He
was not a man who liked to be jostled, and he was the more uncomfortable
in that he discovered that his immediate neighbour was Samuel Hogg, the
stout and rubicund landlord of the "Dog and Pilchard" of Seatown. With him
was his pretty daughter Annie. Near to them were Mr. John Curtis and Mr.
Samuel Croppet, two of the Town Councillors. With none of these gentlemen
did the Archdeacon wish to begin a conversation.
And yet it was difficult to know what to do. The High Street pavements
were narrow, and the crowd seemed continually to increase. There was a
good deal of pushing and laughter and boisterous good-humour. To return up
the street again seemed to have something ignominious about it. Brandon
decided to satisfy his curiosity, support his dignity and indulge his
amiability by staying where he was.
"Good afternoon, Hogg," he said. "What's the disturbance for?"
"Markisses Circus, sir," Hogg lifted his face like a large round sun.
"Surely you'd 'eard of it, Archdeacon?"
"Well, I didn't know," said Brandon in his most gracious manner, "that it
was this afternoon.... Of course, how stupid of me!"
He smiled round good-naturedly upon them all, and they all smiled back
upon him. He was a popular figure in the town; it was felt that his
handsome face and splendid presence did the town credit. Also, he always
knew his own mind. _And_ he was no coward.
He nodded to Curtis and Croppet and then stared in front of him, a fixed
genial smile on his face, his fine figure triumphant in the sun. He looked
as though he were enjoying himself and was happy because he liked to see
his fellow-creatures happy; in reality he was wondering how he could have
been so foolish as to forget Marquis' Circus. Why had not Joan said
something to him about it? Very careless of her to place him in this
unfortunate position.
Public-domain text, read in full here on John Shaqi.
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