The Cathedral Builders: The Story of a Great Masonic Guild — John Shaqi
The Cathedral Builders: The Story of a Great Masonic GuildScott, Leader
History
The Cathedral Builders: The Story of a Great Masonic Guild
Scott, Leader
Cathedrals; Church architecture; Guilds
BEATVS LEO IIII PAPA
PARITER SVB HOC SACRO ALTR̄
REC̄DENS COLLOCAVĪ CORPOR̄ SCŌ
M͞R CL[AV]DII NICOSTĪ SEMPRON̄I
CAST̄ ET SIMP̄ ET HII FR̄M SEVERI
SEVERIANI CARPOFORI ET VICTO
RINI [MA]RII AVDIFAX EABBACV̄
FELICISSIMO ET AGAPITO YPPOLT̄
OVDE CV̄ SVA FAM̄L NV̄O X ET
VIIII ACQVILINI ET PRISCI ARSEI
AQVNI NARCISI ET MARCELLI
NI FELICIS SIMETRII CANDI
DAE ATO PAVLINÆ ANASTASII
ET FELICIS APOLLIONIS
ET BENEDICTI VENANTII
ATO FELICIS DIOGENIS ET LI
BERALIS FESTI ET MARCELLI
ATO SVPERANTII PVDENTIAN̄E
ET BENEDICTI FELICIS ET BENE
DICTI NECN̄ CAPITA SANCTO
PROTI SC̄EO CECILIA E
SC͞I ALEXANDRI SC̄IO XISTI
ET SC͞I SEBASTIANI ATQ
SACRATISSIME VIRGINIS
PRAXEDIS ET ALIA MVLTA
CORPORA SANCTORVM
QVORVM NOMINA DEO
SVNT COGNITA
If I interpret the abbreviations M͞R. F͞RM and FA͞ML aright,
this inscription would imply that members of each of the three grades
of the Roman Masonic guild, Magister, Fratres, and Famuli
(apprentices), were martyred together, and their remains placed in
this church with the relics of some proto-martyrs. The _Magistri_ were
afterwards canonized, and the four I have named became the patron
saints of the guild. S. Carpophorus was held in special veneration in
Como, of which place he was probably a native, or else a Greek member
of the Comacine Lodge there.
The other side of the inscription chronicles the restoration of the
altar which was ruined and broken down, in the time of Pope Paschalis
Secundus, A.D. 1111, in the fourth Indiction.
The church of the SS. Quattro has remains of a fine atrium or portico.
In the wall of the atrium is a fragment of _intreccio_. The original
form of the church is well preserved, and is identical with that of S.
Agnese, _fuori le mura_. The gallery for the women is well preserved.
The especial veneration for the four crowned martyrs seems to point to
their Roman origin, and to specify the reason why the remnant of the
particular _Collegium_ to which they belonged fled from Rome, and took
refuge in the safe little republic of Como, so that it was not only
the Goths and Vandals from whom they fled. It explains also the
intense religion in their work, and rules; the very first principles
of which were to respect God's name, and do all to His glory.
Public-domain text, read in full here on John Shaqi.
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