The Cathedral Church of Canterbury [2nd ed.]: A Description of Its Fabric and a Brief History of the Archiepiscopal SeeWithers, Hartley
History
The Cathedral Church of Canterbury [2nd ed.]: A Description of Its Fabric and a Brief History of the Archiepiscopal See
Withers, Hartley
Canterbury Cathedral
take a fair example of modern so-called Gothic, with the ugly straight
line of the Houses of Parliament, as seen from the Lambeth Embankment,
broken only by the two stark and stiff erections at each end. The two
towers at the west end of Canterbury were not always uniform. At the
northern corner an old Norman tower formerly uplifted a leaden spire one
hundred feet high. This rather anomalous arrangement must have had a
decidedly lopsided effect, and it is probable that the appearance of the
cathedral was changed very much for the better when the spire, which had
been taken down in 1705, was replaced by Mr. Austin in 1840, by a tower
uniform with the southernmost tower, called the Chicele or Oxford steeple:
this tower was completed by Prior Goldstone, who, during his tenure of
office from 1449-68, also built the Lady Chapel. On its south side stands
the porch, with a remarkable central niche, which formerly contained a
representation of Becket's martyrdom. The figures of the Archbishop's
assassins now no longer remain; but their place has been filled up with
figures of various worthies who have lived under the shadow of the
cathedral. Dean Alford suggested, about 1863, that the many vacant niches
should be peopled in this manner, and since then the work has proceeded
steadily. The western towers are built each of six stages: each of the two
upper tiers contains two two-light windows, while below there is a large
four-light window uniform with the windows of the aisles. The base tier is
ornamented with rich panelling. The parapet is battlemented and the angles
are finished with fine double pinnacles. At the west end there is a large
window of seven lights, with three transoms. The gable contains a window
of very curious shape, filled with intricate tracery. The space above the
aisle windows is ornamented with quatrefoiled squares, and the clerestory
is pierced by windows of three lights. In the main transept there is a
fine perpendicular window of eight lights; the choir, or south-east
transept, has a Norman front, with arcades, and a large round window; also
an arcaded west turret surmounted by a short spire. Beyond this, the line
is again broken by the projection of St. Anselm's so-called Tower; this
chapel hardly merits such a title, unless we adopt the theory that it, and
the corresponding building on the north side, were at one time a good deal
more lofty, but lost their upper portions at the time of the great fire.
The end of the cathedral has a rather untidy appearance, owing to the fact
that the exterior of the corona was never completed. On the northern side
the building is so closely interwoven with the cloister and monastic
buildings that it can only be considered in conjunction with them. The
length of the cathedral is 514 feet, the height of the central tower 235
feet, and that of the western towers 130 feet.
Public-domain text, read in full here on John Shaqi.
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