The Cathedral Church of Canterbury [2nd ed.]: A Description of Its Fabric and a Brief History of the Archiepiscopal SeeWithers, Hartley
History
The Cathedral Church of Canterbury [2nd ed.]: A Description of Its Fabric and a Brief History of the Archiepiscopal See
Withers, Hartley
Canterbury Cathedral
Entering the precincts through this gateway we find ourselves in what was
the _outer_ cemetery, in which members of the laity were allowed to be
buried. The _inner_ cemetery, reserved as a resting-place for the brethren
themselves, was formerly divided from the outer by a wall which extended
from St. Anselm's chapel. A Norman door, which was at one time part of
this wall, has now been put into a wall at the east end of the monks'
burying ground. This space is now called "The Oaks." A bell tower,
_campanile_, doubtless used for tolling the passing bell, once stood on a
mound in the cemetery, close to the dividing wall. The houses on the south
side of this space are of no great antiquity or interest, and the site on
which they stand did not become part of the monastery grounds before a
comparatively late period. But if we skirt the east end of the cathedral
we come to the space formerly known as the "Homors," a word supposed to be
a corruption of _Ormeaux_, a French word, meaning elms.[1] Here stood the
building in which guests of rank and distinction were entertained; and the
great hall, with its kitchen and offices, is still preserved in a house in
the north-east corner of the inclosure, now the residence of one of the
prebendaries. The original building was one of great importance in a
monastery like Canterbury, which was so often visited, as has already been
shown, by royal pilgrims. It is said to have been rebuilt from top to
bottom by Prior Chillenden, and the nature of the architecture, as far as
it can be traced, is not in any way at variance with this statement. The
hall, as it originally stood, was pierced with oriel windows rising to the
roof, and at its western end a walled-off portion was divided into two
storeys, the lower one containing the kitchens, while the upper one was
either a distinct room separated from the hall, or it may have been a
gallery opening upon it.
[1] Though it is also derived from one Dr. Omerus, who lived on the spot
in the thirteenth century.
Public-domain text, read in full here on John Shaqi.
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