The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal seeDearmer, Percy
History
The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal see
Dearmer, Percy
Christ Church Cathedral (Oxford, England)
But since the fifties the appearance of the cathedral has been completely
changed. Dean Liddell began the restoration in 1856, when Mr. John Billing
was employed to repair some parts of the walls that had become unsafe,
and to remove the galleries and high pews. The work then done was only
temporary; the reseating whereby decent accommodation was provided for
the whole college was managed out of the old woodwork, not a plank being
taken out or carried into the church; the organ was moved for the time
into the south transept, so that the choir could be thrown open to the
nave, and other work of a simple and necessary character carried through.
In 1870, Dean Liddell employed Sir G. Gilbert Scott to carry on the
great restoration, whereby very considerable changes were wrought in the
fabric itself.
On the whole, it has been real restoration, and not destruction: here
and there one might have wished that the changes had been less sweeping,
or that the renewed carved work had been left unattempted till such time
as the dignity of labour in craftsmanship is recovered; but it remains
one of the most judicious and successful works of restoration that this
not impeccable age has produced. The difficulties to be encountered were
very great, for the church had suffered unusually; a certain amount of
rebuilding was therefore inevitable, and besides provision had to be
made for the church as a college-chapel as well as a cathedral.
The restoration was preceded by a report on the condition of the building,
which Sir Gilbert Scott drew up in 1869. The following extract shows the
"reparation" that was needed:--
"It is fortunately the case that the main walls of the building do not
show any symptoms of failure or of weakness. The external stone-work
is very unequal in its state of preservation, some parts being very
much decayed, while others have suffered in a very small degree. On the
whole, however, there can be no doubt that the decay is very extensive,
and even some parts which, at first sight, seem tolerably sound, are
found on closer examination to be seriously decayed. The eastern parts
are, as a rule, better preserved than those facing in other directions,
though the southern aisle of the choir is also among the least decayed
portions. The tower is generally very severely decayed, but the spire
less so, though its lights are very much damaged. The reparation of this
wide-spread decay is a work requiring much discrimination and judgment.
Every stone which retains ancient work in an intelligible state should be
carefully preserved, and only such parts renewed as have become shapeless
from decay, or the retention of which would tend to future injury.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account