The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal see — John Shaqi
The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal seeDearmer, Percy
History
The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal see
Dearmer, Percy
Christ Church Cathedral (Oxford, England)
As the whole effect of the room depends upon its proportions, it is hardly
necessary to say that the extraordinary genius for making the worst of
everything, which seemed at one time to take possession of the English
people, inspired some one to build a wall right across the middle. This
has, however, been removed, and the visitor has now nothing to complain
of but a want of colour. The chapter-house has been used for divinity
lectures since the Latin Chapel was restored to its original purpose;
and the lower part of the walls is now hung with curtains, which help
to destroy the coldness due to the destruction of the old painting
and furniture.
[Illustration: CORBEL IN CHAPTER-HOUSE.]
The room is an oblong, divided into four bays, the vaulting of which
springs from clustered shafts, supported on curiously carved corbels.
Two of these corbels are in the form of monks' heads, very vividly
conceived; they face each other, and are thought, from the vivacity
of their expression, to be represented as carrying on a conversation
together. The perfect taste of the rich carving on the bosses of the
roof will also be noticed. One of them represents our Lady crowned,
in the act of giving an apple to the Holy Child.
But the most striking feature of the chapter-house is its east end. An
arcade of five arches fills the entire space; of these the three central
arches are pierced for windows, deeply recessed, and having a double set
of shafts to support their arches, the inner shafts being clustered,
and ornamented with dog-tooth moulding. Each light is crossed by a
transom, with a later four-centred arch beneath. Foliage is introduced
in the spandrels, and every capital in the room is richly foliated,
nor could anything exceed the grace and finish of the carving. There
are two windows of similar character on the south side of the room,
and one on the north. There are also some pieces of remarkably fine
glass in these side windows, which one should be careful not to miss.
The remains of painting on the groined ceiling are not likely to
escape notice,--the figures of St. Peter and St. Paul can be easily
distinguished.
[Illustration: BOSS IN CHAPTER-HOUSE.]
A thirteenth century stone slab now rests in the chapter-house; it was
brought here from Rewly Abbey, where it covered the tomb of Ela, wife of
Thomas de Newburgh, Earl of Warwick, and daughter of William Longspée.
In the east wall is preserved the foundation stone of Wolsey's College
at Ipswich, the inscription on which runs,--"_Anno Christi 1528, et
regni Henrici octavi, regis Angliae 20, mensis vero Junii 15, positum
per Johannem epm. Lidensem_,"--John Holt being titular Bishop of Lydda,
and probably a suffragan of Lincoln. The stone has no connection with
Christ Church, beyond the fact that it commemorates another benefaction
of Wolsey, and was presented to the House in 1789.
Public-domain text, read in full here on John Shaqi.
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