The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal seeDearmer, Percy
History
The Cathedral Church of Oxford: A description of its fabric and a brief history of the Episcopal see
Dearmer, Percy
Christ Church Cathedral (Oxford, England)
If the unusual appearance of the cathedral is partly due to Wolsey's
destruction, it is partly due also to its being used as a college
chapel, and partly to the fact that in general plan, and to some extent
in detail, it is Ethelred's design, commenced seventy years before the
great developments of Norman architecture began. Ethelred himself probably
only completed the choir and adjacent parts, and even there the work was
very much altered in late Norman times; while the nave itself seems to
be principally Norman (though built in imitation of Ethelred's work),
with the exception of the pillars, which must be earlier than the Norman
restoration, and may be of Saxon date, though we have no documentary
clue as to what happened from the reign of Canute to that of Henry I.,
except that the church was, during the latter part of the time, in a
very bad way.
The following are Mr. Park Harrison's conclusions as to the general plan
of the church, which he set before the British Archæological Association
in 1892:--"The design of the building is clearly derived from the original
pre-Norman church. The uniformity of plan throughout affords a remarkable
instance of the way in which early church-builders imitated previous
work, the process being, at Oxford, slow enough to make stages in the
construction, that must have occupied instead of thirty years, as stated
in the explanatory cards suspended in the cathedral, and quoted in some
of the guide-books, at least 160. There were three changes in the profiles
of the bases, and three in the abaci, all before the years 1170 or 1180."
Thus the cathedral is a most important evidence of the high state of
civilisation at which our Anglo-Saxon forefathers gradually arrived
after the landing of St. Augustine. It is some satisfaction to our
national pride to discover that they did not owe their culture to the
Norman settlement, nor worship in wooden sheds before the arrival of
the Conqueror, as was till recently supposed; but that the people who
produced poets like Caedmon, artists like Dunstan, and scholars like
Alfred and Bede, were also able to build churches worthy of such great
names. More will be said about their workmanship when we come to discuss
the capitals in the choir, but here we may refer the reader to a drawing
in Mr. Harrison's pamphlet, "The Pre-Norman Date," of the apse of a church
from the "Dunstan" MS., which shows at what elaborate architecture the
Anglo-Saxons had arrived by the year 1000, and illustrates the curious
foliage found on the cathedral capitals.
=The Nave= was probably completed during the priorate of Robert of
Cricklade (c. 1160-1180), the restoration being begun shortly after
1158, when the Pope's charter was secured. The clerestory, which is
transitional, may therefore have been still unfinished at the time of
his death.
Public-domain text, read in full here on John Shaqi.
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