The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal See — John Shaqi
The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal SeeSweeting, W. D. (Walter Debenham)
History
The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal See
Sweeting, W. D. (Walter Debenham)
Peterborough Cathedral
The dates in the above lists, unless stated otherwise, are the dates of
appointment. With the single exception of Henry of Overton, of whom very
little indeed is known except that he was abbot for nearly thirty years,
the selection that has been made appears to be very good. In some way or
other all the persons represented are eminent. The authorities are to be
congratulated upon their including in the series several dignitaries of
the last century.
The smaller figures on the south side are all characters from the New
Testament; those on the north side are taken from the Old Testament. The
carving on the sides of the two westernmost stalls is of great interest.
The panels on the south represent the miraculous preservation of the arm
of S. Oswald. This arm was one of the greatest treasures of the house,
and was reputed to be the cause of many cures. The legend is given
hereafter in the notice of Abbot Elsinus, the great collector of relics.
In the corresponding position on the north side is represented the story
of S. Ethelwold, Bishop of Winchester. On the back of the stalls in the
south aisle are two pieces of tapestry, picturing the release of S.
Peter and the healing of the lame man at the Gate Beautiful.
The carving on the =Pulpit= and =Throne= will repay careful study. In
the niches at the base of the pulpit are four abbots, chiefly connected
with the erection of the building. They are John de Sais, who holds a
model of the apse, Martin de Bec, William of Waterville, and Walter of
S. Edmunds. Round the main body of the pulpit are four saints in niches,
SS. Peter, Paul, John and James, each easily identified by what is held
in the hand. Between these niches are wide panels carved with subjects
associated with preaching. Abbot Saxulf preaching to the Mercians;
Christ sending forth the Apostles; S. Peter preaching after the descent
of the Holy Spirit at Pentecost.
The throne is raised on three steps. Above the canopy is a lofty spire.
On the sides of the seat are SS. Peter and Paul. On the book board are
symbolical representations of the virtues of Temperance, Wisdom,
Fortitude, and Justice. In the lower tier on the canopy are six figures:
Saxulf, first Abbot; Cuthwin, first Bishop of Leicester; John de Sais;
Benedict; S. Hugh, Bishop of Lincoln, his hand resting on the head of
his tame swan; and John Chambers, last Abbot and first Bishop of
Peterborough. In the upper tier are four Bishops: Bishop Dove, the
theologian; Bishop Cumberland, the philosopher; Bishop Kennett, the
antiquary; and Archbishop Magee, the orator.
Public-domain text, read in full here on John Shaqi.
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