The Cathedrals of Great Britain: Their History and ArchitectureDitchfield, P. H. (Peter Hampson)
History
The Cathedrals of Great Britain: Their History and Architecture
Ditchfield, P. H. (Peter Hampson)
Cathedrals -- Great Britain; Church architecture -- Great Britain
But the Londoners loved their Paganism, and took not kindly to the new
faith. The men of the "emporium of many nations" clung to their
worship of Wodin and Thor, and not even the wise words of Mellitus in
the new Cathedral could win them. It was the original design of Pope
Gregory, who sent Augustine to our shores, to make the Cathedral of
London the Metropolitan Church of England--a design which Augustine
could not carry out on account of the violent opposition of the
Pagan-loving people. Hence Canterbury was elevated to the position of
the Metropolitan Church. Thirty-eight years passed away. At length the
fiery spirit of the Londoners was subdued after three great missionary
efforts, and they gradually learned the story of the cross. The
Cathedral was beautified by Bishop Cedd, brother of St. Cedd or Chad
of Lichfield, and Sebbe, King of Essex, and was fortunate in having
St. Erkenwald as the fourth Bishop of London, who wrought great
wonders and attracted many converts, restoring wealth and honour to
his Cathedral. To his memory a golden shrine was erected which was
much frequented by pilgrims. Saxon kings gave of their wealth to the
endowment of the Cathedral, and many rich lands were granted to it, as
the ancient charters bear witness.
Fire has always been a great foe to St. Paul's. A very destructive
conflagration raged in 961 A.D., and again in 1086 the Cathedral was
wholly destroyed. We have no means of knowing what kind of
architecture characterised this earliest fane, but probably it
possessed round arches of stone, massive piers, and the usual
characteristics of the Saxon style.
The energy of the English people is evident to all who study our
national annals. When any alarming catastrophe occurs, immediately
they arise to repair the disaster. As it was in the seventeenth
century when the Great Fire swept over London and laid the city low,
so it was in the eleventh. The Saxon church had no sooner been reduced
to a heap of ruins than the Norman builders began to rear another
noble pile. Bishop Maurice was the designer of this great edifice,
which existed until the time of the Great Fire, though it was greatly
injured by a fire in 1136.
A very noble church it must have been, with its walls ablaze with
colour, richly-canopied tombs, pictures and frescoes, books, and
vestments glittering with gold, silver and precious stones. It was the
largest Cathedral in England.
Public-domain text, read in full here on John Shaqi.
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