The Cathedrals of Great Britain: Their History and ArchitectureDitchfield, P. H. (Peter Hampson)
History
The Cathedrals of Great Britain: Their History and Architecture
Ditchfield, P. H. (Peter Hampson)
Cathedrals -- Great Britain; Church architecture -- Great Britain
Proceeding to the _north side_ we note the two-storied construction,
the graceful Corinthian pilasters,[3] arranged in pairs, with
round-headed windows between them; the entablature; and then, in the
second storey, another row of beautiful pilasters of the Composite
order. Between these are niches where one would have expected windows;
but this storey is simply a screen to hide the flying buttresses
supporting the clerestory, as Wren thought them a disfigurement. The
walls are finished with a cornice, which Wren was compelled by hostile
critics to add, much against his own judgment. There are some
excellently-carved festoons of foliage and birds and cherubs, which
are well worthy of close observation. The _North_ and _South Fronts_
have Corinthian pillars, which support a semi-circular entablature.
Figures of the Apostles adorn the triangular-shaped head and
balustrade. The Royal arms appear on the north side, and a Phoenix
is the suitable ornament on the south, signifying the resurrection of
the building from its ashes.
The south side is almost exactly similar to the north. The east end
has an apse.
The magnificent _Dome_ is composed of an outward and inward shell, and
between these there rises a cone-shaped structure which supports the
lantern, crowned with its golden ball and cross. The arrangement of
this is most complex, and is a witness to the marvellous skill of the
architect. Above the row of Composite columns is a gallery, which
affords a good view to those who are anxious to climb. Above the
actual dome is the Golden Gallery, and then the lantern, roofed with
a dome bearing the ball and cross. The whole height is 365 feet.
INTERIOR OF THE BUILDING
The view on entering the Cathedral at the west is most impressive. The
magnitude of the design, the sense of strength and stability, as well
as the beauty of the majestic proportions, are very striking. Over the
doors we see carvings of St. Paul at Berea. A gallery is over the
central doorway, and here is a good modern window.
[Illustration The Nave from the Choir]
Public-domain text, read in full here on John Shaqi.
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