The _Choir Screen_ has been restored in memory of Dean Scott, who, with Dean Liddell of Christ Church, Oxford, compiled the well-known Greek Lexicon. The doorway is ancient Decorated work; the figures are (beginning on the north side) St. Andrew, Ethelbert, St. Justus, St. Paulinus, Gundulf, William de Hoo, Walter de Merton, Bishop Fisher, all of whom were connected with the See of Rochester. As at Canterbury, we ascend several steps to gain the choir, rendered necessary by the height of the crypt below. All the work before us in the choir is Early English, but fashioned on the old Norman walls. It was finished sufficiently for use in 1227, in the year of the accession of Henry de Sandford to the bishopric, and is the work of William de Hoo. The choir aisles are separated from the choir by stone walls. Shafts of Purbeck marble support the vault. Some of the brackets of Early English foliage which support the shafts are beautifully carved. Some of the windows in the presbytery and south choir transept are later insertions, and are Decorated. Sir G. Scott wrought drastic changes here, and substituted two tiers of lancets instead of a large east window, brought the altar away from the extreme east end and designed a new reredos. He made new stalls, using much of the old woodwork. Some fine old fourteenth-century painting he discovered behind the old stalls, which he carefully reproduced, and designed a new throne, pulpit and reredos. Amidst so much that is new and beautiful in its way, it is pleasant to discover some ancient work. The sedilia are Perpendicular, and an Early English piscina and aumbry are observable behind the altar. There is a curious and interesting mural painting on the north wall representing the _Wheel of Fortune_, which is probably a thirteenth-century production.