The Cathedrals of Great Britain: Their History and Architecture — John Shaqi
The Cathedrals of Great Britain: Their History and ArchitectureDitchfield, P. H. (Peter Hampson)
History
The Cathedrals of Great Britain: Their History and Architecture
Ditchfield, P. H. (Peter Hampson)
Cathedrals -- Great Britain; Church architecture -- Great Britain
I. The Norman style commenced in the reign of Edward the Confessor,
whose work at Westminster (the sub-structure of the dormitory and the
lower part of the walls of the refectory with the ornamental arcade)
is declared to be the earliest example of the Norman style in England.
This style prevailed to the time of Henry II., when a period of
transition set in, and the style began to approximate to that of the
succeeding century. The main characteristics of the Norman style
are--cylindrical massive piers, round-headed arches, a great variety
of mouldings such as zigzag, billet, double-cone, pellet, lozenge,
beak-head, etc., small and narrow windows splayed only on the inside,
buttresses slightly projecting from the wall. Some of the best
examples of this style are the naves of Ely, Gloucester, Durham, and
much Norman work is seen at Winchester, Exeter, Canterbury, Chester,
Peterborough, Norwich, Rochester, Chichester, Oxford, Worcester, Wells
and Hereford.
II. The Early English style began with the thirteenth century, in the
reign of King John, the choir of Lincoln being the earliest example.
Wearied with the Romanesque uncouth details of Norman art, the English
masons were feeling after and finding a more excellent way, and
discovered the beauties of Gothic architecture. This style flourished
until the time of Edward I.; during his reign another period of
transition set in, and this style gradually developed into the
Decorated.
Its main characteristics are lighter and more elegant forms of
construction and decoration, pointed arches, often shaped like a
surgeon's lancet, whence they derive their name, deeply undercut
mouldings, dog-tooth ornament, piers formed of columns with detached
shafts united under one capital, and bound together by a band,
bell-shaped capitals, stiff-leaved foliage, trefoiled arches,
plate-tracery. Early English work is seen in the choir of Lincoln,
Worcester, Chichester, Salisbury, Exeter, Wells, Rochester, York
(south transept), Southwell, Ripon, Ely, Peterborough, Durham ("nine
altars"), Glasgow.
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