The Cathedrals of Northern Spain: Their History and Their Architecture; Together with Much of Interest Concerning the Bishops, Rulers and Other Personages Identified with ThemRudy, Charles
History
The Cathedrals of Northern Spain: Their History and Their Architecture; Together with Much of Interest Concerning the Bishops, Rulers and Other Personages Identified with Them
Rudy, Charles
Cathedrals -- Spain
Mudejar Architecture (Sahagun) 64
Santiago and Its Cathedral 82
Church of Santiago, Corunna 92
General View of Mondoñedo 96
Mondoñedo Cathedral 98
Northern Portal of Orense Cathedral 116
Tuy Cathedral 128
Oviedo Cathedral 140
Cloister of Oviedo Cathedral 144
Apse of San Isidoro, Leon 164
Burgos Cathedral 180
Crypt of Santander Cathedral 190
Cloister of Nájera Cathedral 202
Santa Maria la Redonda, Logroño 204
Western Front of Calahorra Cathedral 207
Cloister of Soria Cathedral 212
Palencia Cathedral 226
Zamora Cathedral 238
Toro Cathedral 248
Old Salamanca Cathedral 260
New Salamanca Cathedral 266
Cuidad Rodrigo Cathedral 272
Façade of Plasencia Cathedral 288
Western Front of Valladolid Cathedral 300
Tower of Avila Cathedral 310
Segovia Cathedral 316
San Isidro, Madrid 326
Alcalá de Henares Cathedral 332
Toledo Cathedral 360
_PART I_
_Introductory Studies_
_The Cathedrals of Northern Spain_
I
GENERAL REMARKS
History and architecture go hand in hand; the former is not complete if
it does not mention the latter, and the latter is incomprehensible if
the former is entirely ignored.
The following chapters are therefore historical and architectural; they
are based on evolutionary principles and seek to demonstrate the motives
of certain artistic phenomena.
Many of the ideas superficially mentioned in the following essays will
be severely discussed, for they are original; others are based on two
excellent modern historical works, namely, "The History of the Spanish
People," by Major Martin Hume, and "Historia de España," by Señor Rafael
Altamira. These two works can be regarded as the _dernier mot_
concerning the evolution of Spanish history.
Unluckily, however, the author has been unable to consult any work on
architecture which might have given him a concise idea of the story of
its gradual evolution and development, and of the different art-waves
which flowed across the peninsula during the stormy period of the middle
ages, which, properly speaking, begins with the Arab invasion of the
eighth century and ends with the fall of Granada, in the fifteenth.
Public-domain text, read in full here on John Shaqi.
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