The Catholic World, Vol. 04, October, 1866 to March, 1867Various
Religion
The Catholic World, Vol. 04, October, 1866 to March, 1867
Various
Catholic Church -- Periodicals
The Son, or Word, proceeds from the contemplation of his own divine
essence by the Father, who thus reproduces the perfect and coequal
image of himself. In this act of contemplation, the knowledge of the
archetype of creation, or of the creability of essences resembling the
divine essence, is necessarily included. The expressed ideal or
archetype of all possible existences is therefore in the Word, as the
personal image of the Father, and he contains in himself, in an
eminent and equivalent manner, infinite similitudes or images capable
of being reduced to act, and made to reflect himself in a countless
variety of ways. The Son thus communicates with the Father in creative
omnipotence. The spiration of the Holy Spirit, from the Father and the
Son, consummating the act of contemplation by which the Son is
generated in love, and thus completing the interior, intelligent, or
spiritual life of God within himself, is perfectly correlated to the
eternal generation of the Son. The complete essence of God is
communicated by the Father and the Son to the Holy Spirit, and with it
creative omnipotence as necessarily included in it. The object of
volition in God is identical with the object of intelligence. The
essence of God as being the archetype of a possible creation, {3} that
is, the ideal of creation, or the idea which creation copies, being
included in the term of the divine intelligence, or in the Word, is
also included in the term of the divine love, or the Holy Spirit. The
ideal of creation is therefore included in the object of the eternal,
intelligent, living contemplation in which the three persons of the
blessed Trinity are united. The power of illimitable creation
according to the divine archetype is a necessary and eternal predicate
of his divine being, which he contemplates with complacency. The idea
of creation is therefore as eternal as God; it is coeval with him, and
the object of the ineffable communications of the divine persons with
each other from eternity. God has always been pleased with this idea,
as the artist delights himself in the ideal of beauty, to which he
feels himself capable of giving outward form and expression in
sculpture, painting, or architecture.
The decree of God to reduce this possibility of creation to act, or
the creative purpose, is likewise eternal; since all divine acts are
in eternity, and there is no process of deliberation or progress from
equilibrium to determination possible in the unchangeable God. God is
_actus purissimus_, most pure act, and there is in him nothing
potential or reducible to act which is not in act from eternity; since
in him there is no past or future, and no succession, but _tota, simul
ac perfecta possessio vitae interminabilss_, a complete, simultaneous,
and perfect possession of interminable life.
Public-domain text, read in full here on John Shaqi.
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