How bitter is the contempt which the philosopher pours out upon the fashionable ladies of the time, who spend their days in the mysterious rites of the toilet, curling their locks, anointing their cheeks, painting their eyes, "mangling, racking, and plastering themselves over with certain compositions, chilling the skin and furrowing the flesh with poisonous cosmetics;" and then in the evening "creeping out to candle-light as out of a hole." Love of display is not the characteristic of a true lady. The woman who gives herself up to finery is worse than one who is addicted to the pleasures of the table and _the bottle_! She is a lazy housekeeper, sitting like a painted thing to be looked at, not as if made for domestic economy, and she cares a great deal more about getting at her husband's purse-strings than about staying at home with him. And how preposterous is her behavior when she goes abroad. Is she short? she wears cork-soles. Is she tall? she carries her head down on her shoulder. Has she fine teeth? she is always laughing. Has she _no flanks? she has something sewed on to her,_ so that the spectators may exclaim on her fine shape. A little while ago, a mania for yellow hair broke out in Paris, and fashionable ladies had their locks dyed of the popular hue. Well, it appears from St. Clement's discourses that this folly is over sixteen hundred years old. He upbraids the Alexandrian ladies for following the same absurd custom, and asks, in the words of Aristophanes, "What can women do wise or brilliant who sit with hair dyed yellow?" Nor is this the only modern fashion about the hair which was known and condemned in his time. Read this, young ladies: "_Additions of other people's hair are entirely to be rejected,_ and it is a most sacrilegious thing for spurious hair to shade the head, covering the skull with dead locks. For on whom does the priest lay his hand? Whom does he bless? {102} Not the woman decked out, but another's hairs, and through them another head." Chignons, braids, tresses, and all the other wonderful paraphernalia of the hair-dresser's art are condemned as no better than lies, and a shameful defamation of the human head, which, says St. Clement, is truly beautiful. Neither is it allowable to dye gray hairs, or in any other way to conceal the approach of old age. "It is enough for women to protect their locks and bind up their hair simply along the neck with a plain hair-pin, nourishing chaste locks with simple care to true beauty." And then he draws a comical picture of a lady with her hair so elaborately "done up," that she is afraid to touch her head, and dares not go to sleep for fear of pulling down the whole structure.