2d. The arts--so admirably suited to their imagination, to the delicate grace of their nature. And here I must remark that we unhesitatingly leave open to female competition the most perilous of the fine arts, the one least compatible with their duties and vocation, while shutting them out from the pure and lofty regions of the intellect. Many detractors of women, who cultivate or criticise art, would on no account suppress public singers or actresses. {221} But, you will tell me, that it is precisely because female _artistes_ are more or less degraded that virtuous women should not become _artistes_. I think as you do, and more strongly than you, yet I cannot help seeing that you recognize the fact of women's capacity to rise in art, since a few among them have received the gift of inspiration. If they have received this gift, it must be used; honestly and nobly of course, but used. The fact you advance brings its own application. 3d. If a woman can express the beautiful, she can do so through all the languages of the beautiful. Art is identical in principle, whatever be the mode of its expression. Painting, music, poetry, eloquence, the expression of beauty through an exquisite style, or through the accent of an inspired voice, is always beauty bound within the limits of a sensible form to render it perceptible to the soul through the medium of the senses. Each one must clothe it in a form not self-chosen. If you open to woman the most dangerous and frivolous of all the arts, why close to her the others? Because she sinks with the art that ministers to your pleasure, is it impossible for her to rise with noble, true, serious art? If a woman can be a _cantatrice_, she can be a musician in the elevated sense of the word, a writer or a painter. Many men affirm authoritatively that women cannot and should not write. It is surprising that a question so easily settled for some persons should be so often discussed. Equal pains have not been taken to prove that women cannot be generals or ministers, yet I am not aware that the example of female warriors has been often claimed by their peers. The present day is an ill chosen time to contest women's right to authorship, when the three works most generally read are _Le Récit d'une Soeur_, the writings of Eugénie de Guérin, and Madame Swetchine's Letters. In becoming writers women do not infringe on the rights of men. "They do not seek to emulate man;" and when all is said, what is it, that M. de Maistre calls "emulating man"? Is it desiring to do all that he does? Of course not. Certain pursuits exclusively belong to him, and are not to be cultivated by women. But if there are points of separation, there is also a common domain where all souls may work together. The most natural is that of art and literature. Even here it may be that woman's field is more restricted than that of man; but she will find her place, and perhaps a place that men could not so well fill.