The Catholic World, Vol. 06, October, 1867 to March, 1868.Various
Religion
The Catholic World, Vol. 06, October, 1867 to March, 1868.
Various
Catholic Church -- Periodicals
She took the boy by the hand and led him into the grand salon of
the hotel. Here sat the manager of an Italian theatrical company,
in absolute despair. He and his troupe were to leave Naples in an
hour. For three days he had staid beyond his time, seeking what
the city did not afford--an actor of tragedy; and he was now
bitterly lamenting to his landlord the ill luck that would compel
him to depart for Salerno destitute of so important an adjunct.
"What shall I do?" cried the impresario, wringing his hands,
"without a Geronimo or a Falerio?"
"You may yet find an actor," suggested the good-natured host.
"He must drop, then, from the clouds, and at once! My friends at
Salerno have twice put off the performance, waiting for me. Saint
Antonio! to think of losing so much money!"
The corpulent hostess had entered the room, the bashful youth a
few paces behind her.
"I have found you a tragedian, Master Benevolo," she cried; "a
capital fellow. You have fatigued yourself running over Naples in
search of one--and he has been waiting for you here since last
evening."
"What do you mean!" exclaimed both manager and landlord.
{21}
"You shall have your tragedian. All the rest is my secret. Oh! he
is a great genius! If you had heard him last night! All the maids
were in tears. Had he a robe and poniard, he would have been
terrific. He sang droll songs, too, and made us laugh till my
sides ached. I should have told you of him before, but you went
out so early."
"At what theatres has he appeared?" asked the manager, much
interested.
"He has never been on the stage; but he will make his way. Such
genius--such passion! He has left home to embrace the
profession."
The impresario mused. "Let me see him," he said.
The landlady took the lad by the hand and pulled him forward. He
stood with eyes cast down, in the most awkward attitude.
"A mere boy!" exclaimed the disappointed director. "He--fit for
an actor!" And with a look of contempt he surveyed the youth who
aspired to represent the emperors of Rome and the tyrants of
Italian republics.
"Everything has a beginning!" persisted the dame. "Louis, come
forward, and show the maestro what you can do."
The overgrown lad hung his head bashfully; but, on further
urging, advanced a pace or two, flung over his arms the frayed
skirt of his coat to serve as a drapery, and recited some tragic
verses of Dante.
"Not bad!" cried the manager. "What is your name?"
"Louis," replied the lad, bowing.
"Louis--what?"
"Louis only for the present," interposed the hostess, with an air
of mystery. "You are not to know his family name. You see--he
left home--"
"I understand: the runaway might be caught. Let me hear him in
_Otello_."
Louis, encouraged, recited a brilliant tragic scene. The manager
followed his gestures with hands and head, and, when he had
ended, applauded loudly, with flashing eyes.
Public-domain text, read in full here on John Shaqi.
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