"Heroes and artists--in the most liberal way of viewing it--have their truest and clearest appreciation in the pure souls of women. Only Hebe might serve the nectar to Alcides; only Beatrice conducts the singer into Paradise; Tasso's delirium is a vague searching in a labyrinth where Ariadne's thread is broken; Michael Angelo would have been as great a painter as was Dante a poet had Beatrice opened heaven to him; Raphael's thousand-feathered Psyche bore a material maiden into the realm of the stars; her human blood enkindled his and slew him. When I write my memoirs, you will see how it has gone with me in this respect. In the mean time I allow you a peep through the keyhole of my private drawer--it is a poor poem of my youth, which as penance you must read, because you mockingly called me a poet. [Footnote 45] [Footnote 45: It is truly a very youthful poem, addressed "To the Muse," commencing: "Confided have I alone in thee, O Muse," etc. ED.] "I know not why I send these poor stanzas to you; it appears to me as though you exercised some charm over the spirits of my life, who must perforce appear before you. Perhaps one of these days this letter might serve for a dedication to the book in question, because, like an overture, it contains in itself the leading motive. Now farewell, and take no offence at this gay carnival-arabesque, The ladies of my family heartily greet you: we have good news from Rome. Heaven bless you, vouchsafe you cheerfulness and bliss, and bring you soon to us. Meantime, however, write soon, and often send tidings to your most devoted friend, "P. Cornelius." {108} Four months later, he reverts to the same subject, on the occasion of sending to her, while at Basle, a sketch of his latest composition for the walls of the Louis-church, ("The Epiphany,") accompanying which he writes: Munich, June 21, 1832. "Herewith you find a little sketch of a drawing just completed for a large cartoon (the corresponding piece to the Crucifixion,) and instead of interpreting it to you, I beg your own interpretation of it; it would have such a charm for me to read in your mind my own conceptions ennobled and beautified. What coquetry! I hear you laughingly say; and yet I hope to be pardoned. If it be true that artists have many feelings in common with women, those which prompt us to try to please those we love should meet with some indulgence.