“You are welcome, dear!” the old lady said softly, and extended her hand, but without leaning forward. To take it, therefore, Edith had to come very near, and was drawn gently down to the footstool by Miss Clinton’s chair. The old lady took off the girl’s hat, and dropped it on to the carpet, then studied her face with delight. She loosened one of the braids of hair wound around her head, and held it out to a sunbeam to see the sparkle of it. She pushed it back from the face. “Did you ever see such ears?” she said to Carl. “They are rose-leaves! There must be a large pearl hung in each. She drew her finger along the smooth curve of the brows. “A great artist and physiognomist once told me that such brows show a fine nature. Broken brows, he said, indicate eccentricities of character, brows bent toward the nose a tyrannical disposition, heavy brows reserve and silence, but this long, smooth brow versatility and grace. Read Lavater if you want to know all about eyebrows.” She took the cheek, now glowing with blushes, in the hollow of her hand, and held the eyelids down to admire the lashes. “They make the eyes look three shades darker than they really are. But what color are the eyes? They are no color. Did you ever see a shaded forest spring, Carl? These eyes are as limpid.” “Oh! please don’t!” the girl begged, trying to hide her face. 21 “My dear, I shall call you Eugénie, and shall adore you,” Miss Clinton continued. “I hope they have not told you horrible stories about me, or that, if they have, you will not believe them. People are fond of saying that I am sharp, but I quote Victor Hugo to them, ‘_La rose du Bengale, pour être sans épines, est aussi sans parfum._’ A character without any sharpness would be like an ocean without salt. Temper sweetens. When any person is recommended to me as of a very mild and placid position, never getting angry, I always say, Keep that person out of my sight! Yes, I shall call you Eugénie. I dislike the Edith on account of old Mrs. Yorke. She and I always quarrelled, dear. We were what some one has called ‘intimate enemies.’ But I don’t mean to quarrel with her grand-daughter. You have your father’s eyes and hair, Eugénie, but your mother’s features. I hope you have not her disposition. She was too positive, and, besides, she ran away with another woman’s beau.” Edith drew back, and stood up, turning to Carl. “There! she is angry the first thing,” the old lady cried. “No danger of anybody’s thinking her _sans épines_. Take her down to get some breakfast, Carl.” “Dick Rowan is here,” Edith said, as the two went down-stairs; “and he is a Catholic; and he has a new ship which he has named for me.” There was no reply. They were going through the shady entry, and, if the young man frowned at the news, the frown was not seen.