Separately, the two nouns were comprehensible, but joined together, what were they? Was it, mayhap, Greek or Latin construction, or was it taken from the legends of old Gaul French, or a specimen of some new and unknown tongue evolved from the universal genius of the minister? Richelieu, writhing under the pitiless hilarity of the tormentors, lent a deaf ear to them, and rode forth in scornful taciturnity; petitions from imaginary savants, who professed to be laboring in the mazes of a new grammar, flowed in the following days upon the unlucky author of the ungrammatical inscription, beseeching him to let the ignorant world into the secret of its proper parsing; the enemies of the cardinal, in fact, made capital out of his vanity to their heart’s content, but Richelieu’s pride was a match for them. The only answer he condescended to make was to point to the inscription over the Hôtel Dieu. The precedent was no doubt unanswerable; but vanity remained, nevertheless, more prominent in the imitation than either sense or grammar. It held its place, however, in spite of all attempts to laugh it down. The splendors of the Palais Cardinal have been enlarged upon in most of the memoirs and chronicles of that time. Richelieu, while busy making and mending quarrels between the king and the queen-mother, Marie de Medicis, governing France, and pulling the strings of all the governments of Europe, found time to devote to his hobby of enriching and beautifying his palace, overseeing in its most minute details the architectural part of the work, and directing the research after objects of art far and near for its adornment. While he was thus variously occupied, a knot of literary men were in the habit of meeting quietly once a week close to his palace gates, to read aloud their own works, and discuss the state of letters, whose horizon was just then beginning to brighten under the rising sun of the great Corneille. The meetings were held at the house of one of the circle; they were quite unostentatious, and aspired to no notoriety beyond their own circle; the members sought only to encourage each other by honest criticism, and by the emulation that comes of working in common towards a common end. Soon, however, these weekly gatherings became talked about; courtiers heard of them, and begged to be allowed to assist at them. By-and-by Richelieu came to hear of them; his curiosity was excited, first from a political point of view—he feared the so-called _réunions littéraires_ might be a covert for something more dangerous; he was not slow, however, to find out his mistake, and to detect in the modest literary club a germ of future greatness; he expressed his desire that the meetings should be held henceforth at the Palais Cardinal, and under his immediate auspices. The members protested; they were not worthy of so distinguished an honor, etc.; but Richelieu assured them that he saw in their modest labors the