The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
The pilgrims pass the night in tents erected on the plain, and do not
retire to repose until a late hour, remaining to listen to the long
narrative poems on sacred subjects which the popular bards wander
singing from tent to tent.
This first day is wholly consecrated to religion, but secular pleasures
awake with the sound of the hautboy on the following morn.
The lists are opened at noon. The tree of the prizes, laden with its
strange variety of fruits, rises in the centre, while at its foot lows
the chief prize of all--the heifer--with its horns gaily decked with
ribbons. Numberless competitors present themselves. Trials of strength
or skill, wrestling, racing, and dancing, continue without intermission
until the evening is far advanced.
The first two nights of the _Pardon_ are devoted to wandering singers
of every description, such as the millers, the tailors, the ragmen,
beggars, and _barz_; but the last is exclusively the right of the
_kloer_ or _kler_, of whom, as well as of the first-named personages,
we will mention a few particulars. The chief difference between the
miller and the other popular minstrels is that he returns every evening
to his mill; but, like them, he makes the round of the country, passing
through the cities, towns, and villages, entering the farm-house and
the manor, going to fairs and markets, and hearing news, which he
puts into rhyme as he goes on his way; and his songs, repeated by the
beggars, who are rarely the composers of ballads themselves, soon find
their way from one end of Brittany to the other.
The tailor's special characteristic is caustic wit and raillery. "His
ear is long," says the Breton proverb, "his eye open day and night,
and his tongue as sharp as his needle." Nothing escapes him. He makes
a song upon everybody without distinction, saying in verse that which,
he would not dare to say in prose, and yet often so disguising his
satire that it is keenest where at first sight least evident. All the
value of his songs depends upon their actuality. He is learned in
all the gossip of the place, and if perchance on his homeward way he
lights upon a couple of lovers, happy in the seclusion of a wood, they
find themselves next day the subjects of his malicious muse, and their
mutual appreciation proclaimed to all the neighborhood. Of the miller
and the ragman much the same may be said; and yet it is but just to add
that, with all the pleasure they find in laughing at their neighbor,
they are never guilty of calumny against him.
Public-domain text, read in full here on John Shaqi.
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