Mountains are her abhorrence, distant views her antipathy. This is far from being our first journey; and whenever we have found ourselves in the railway carriage from Dover to London Bridge, Ann invariably remarks how lovely the country is as we dash through the flat green fields and monotonous cherry gardens of simple Kent. And her admiration culminates when we pass any gentlemen’s seats. The absence of striking features, the unbroken, unaccidental horizon, the universal green, and the level lines, give Ann a sensation of peace and repose; while I, who have something of an artist’s soul, am feeling how very difficult it would be to get an effective subject or a “nice bit of color” out of the platitudes of dear England’s quiet homesteads. We were off the next day by daylight, I feeling like a swallow flying south; and very soon we perceived in the clear air a warmer glow than any to be had the other side of Lyons. Even the desert region of La Crau seemed full of charms to me. The dim, gray expanse of thick‐lying stones that Hercules persuaded by his prayers the angry Jove to shower down on the Ligurians, broken only by thin tufts of mint and scant rosemary, themselves also of a gray green, and leading on over thousands of acres to the blue distant hills that were blushing into rosy hues when we crossed the desert, were not without delightful “points,” which I could have transferred to my sketch‐book had time allowed me. “La Belle Provence” is a very _journalière_ beauty, and requires a bright sun to clothe her in sparkling jewels, and to dye her dress in blue and violet and rose‐madder, to be worthy of the name that centuries have agreed to give her. When there are no lights, there is apt to be an air of desolation and barrenness. Those hills, arrayed in many tints, give back the lights from rocky and unproductive cliffs; but down in the valleys, with the exception of La Crau, the culture is rich and varied. The first stunted olive‐trees as we approached Marseilles were welcome less on their own account—for they are miserable specimens—than for the association of ideas connected with their pallid leaves, and because they gave promise of the large ones that would gladden our eyes further on.