“At the Round Table of King Arthur there was left always one seat empty for him who should accomplish the adventure of the Holy Grail. It was called the perilous seat, because of the dangers he would encounter who would win it. In the company of the epic poets there was a place left for whoever should embody the Christian idea of a triumphant life, outwardly all defeat, inwardly victorious; who should make us partakers in that cup of sorrow in which all are communicants with Christ. He who should do this would achieve indeed the perilous seat; for he must combine poesy with doctrine in such cunning wise that the one lose not its beauty nor the other its severity—and Dante has done it. As he takes possession of it we seem to hear the cry he himself heard when Virgil rejoined the company of great singers: ‘All honor to the loftiest of poets!’” Mr. Lowell’s Dante is a man divinely inspired and overshadowed by divinity to the grave itself—a character austere, devoid of humor, unflinchingly faithful to his conceptions of right whether moral or political, self-respecting, and believing in his own commission from God; a mind logical, systematic, and illuminated by Heaven, consciously developing its marvellous genius in the midst of contumely; a heart consumed first by human love for Beatrice, and by it purged and refined out of personality into the love of God and the proper relative appreciation of all creatures; a sublime human soul, in brief, transformed from the individual into the universal, and teaching all men, as it was taught in sorrow and in love, to seek eternity as the sole object worthy of human effort; and teaching in a lofty splendor of phrase and successions of exquisite imagery which continue to astonish posterity and will for ever adorn general literature.