It is not our purpose to enter into an elaborate criticism of Tennyson. That task has been done time and again, and by pens infinitely better fitted for it than ours. We are only taking touches here and there to bring out the poet in his truest colors, in his best and his worst lights, in order to add point to the main purport of this article, which is to show that Tennyson has mistaken himself and his powers in the _rôle_ which he has thought fit to assume in his later years. In his earlier dreams he is full of high thoughts and large aspirations. “My faith is large in Time, and that which shapes it to some perfect end,” he tells us. He looks forward longingly to “the golden year.” He is possessed with the spirit of Christian purity, and gives constant expression to it, notably in “St. Agnes” and “Sir Galahad.” In “The Two Voices” he argues down atheism. He lays bare the grinning savagery of a wasted intellect and debauched life, only to punish it with the power of a man who knows what virtue is and feels it in his soul. He sometimes catches those inarticulate murmurs of the heart which breathe in feelings rather than in words, where feeling is too deep for words, and they well out in song, as in the “Break, break, break, On thy cold gray stones, O sea!” while in the “In Memoriam” the poet, stricken to the heart, has given voice to that sorrow, and the effect it has on our life, which most of us have felt when some bright intelligence has been taken from our side, whose young years were blossoming fair with promise of a great and good future.