The Cavaliers of Virginia, vol. 2 of 2: or, The Recluse of Jamestown; An historical romance of the Old Dominion — John Shaqi
The Cavaliers of Virginia, vol. 2 of 2: or, The Recluse of Jamestown; An historical romance of the Old DominionCaruthers, William Alexander
History
The Cavaliers of Virginia, vol. 2 of 2: or, The Recluse of Jamestown; An historical romance of the Old Dominion
Caruthers, William Alexander
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
When Bacon had approached within a short distance of this picturesque
group, the sentinel sprung upon his feet, and uttered a shrill
war-whoop. The horse stood still, erected his neck and pricked up his
ears, while his master folded his arms upon his breast and calmly
surveyed the scene. Those warriors who slept under the sheds near the
fire, assumed the erect attitude with a simultaneous movement, joining
in the wild chorus of the sentinel's yell as they arose.
Hundreds of men, women, and children poured from the surrounding
huts,--most of the grown males, with their faces painted in blue and red
stripes, their heads shaved close to the cranium, except a tuft of hair
upon the crown, and all armed in readiness for battle. Bacon assumed the
command of his horse and rode into the very centre of this wild
congregation,--the fore hoofs resting upon the spent embers of the fire.
He was greeted with another yell, after which the savages stood back and
viewed his strange and untimely appearance with wonder not unmixed with
awe. His bridle again fell from his hand, and his arms were crossed upon
his breast. His countenance was wild and haggard, and a flash of
maniacal enthusiasm shot athwart his pale features. His dress under
present circumstances was fantastical in the extreme.
A grim old warrior with savage aspect after staring some time intensely
at the intruder, was suddenly struck with something in his appearance,
and stepping out a few paces from the mass of his companions began to
address them in his own language, now and then pointing to the horseman,
and using the most violent gesticulations. At another time the youth
would have been not a little alarmed at certain significant signs which
the speaker used when pointing to himself. These consisted in twirling
his war club round and round, as if he was engaged in the most deadly
conflict. Then he placed his hand to the side of his head and bent it
near the earth as if about to prostrate himself, and finally pointing to
Bacon. When he had done this, several of the crowd closed in toward his
horse, and seemed intensely to examine the lineaments of his
countenance. Having satisfied themselves, they set up a simultaneous
yell of savage delight. He was quickly drawn from the saddle, his hands
tied behind him, and then placed in the centre of the assembled throng.
Their savage orgies now commenced; a procession of all the grown males
moved in a circle of some fifty feet in diameter round his person.
Several of the number beat upon rude drums, formed of large calabashes
with raw hides stretched tight and dried over the mouths; while others
dexterously rattled dried bones and shuffled with their feet to their
own music. Others chanted forth a monotonous death song; the whole
forming the rudest, wildest, and most savage spectacle imaginable.
Public-domain text, read in full here on John Shaqi.
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