The Caxtons: A Family Picture — Volume 04Lytton, Edward Bulwer Lytton, Baron
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The Caxtons: A Family Picture — Volume 04
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Families -- Fiction
At length, one evening, my father, with some modest hums and ha's, and
an unaffected blush on his fair forehead, gratified a prayer frequently
urged on him, and read me some portions of the Great Work. I cannot
express the feelings this lecture created,--they were something akin to
awe. For the design of this book was so immense, and towards its
execution a learning so vast and various had administered, that it
seemed to me as if a spirit had opened to me a new world, which had
always been before my feet, but which my own human blindness had
hitherto concealed from me. The unspeakable patience with which all
these materials had been collected, year after year; the ease with which
now, by the calm power of genius, they seemed of themselves to fall into
harmony and system; the unconscious humility with which the scholar
exposed the stores of a laborious life,---all combined to rebuke my own
restlessness and ambition, while they filled me with a pride in my
father which saved my wounded egotism from a pang. Here, indeed, was
one of those books which embrace an existence; like the Dictionary of
Bayle, or the History of Gibbon, or the "Fasti Hellenici" of Clinton, it
was a book to which thousands of books had contributed, only to make the
originality of the single mind more bold and clear. Into the furnace
all vessels of gold, of all ages, had been cast; but from the mould came
the new coin, with its single stamp. And, happily, the subject of the
work did not forbid to the writer the indulgence of his naive, peculiar
irony of humor, so quiet, yet so profound. My father's book was the
"History of Human Error." It was, therefore, the moral history of
mankind, told with truth and earnestness, yet with an arch, unmalignant
smile. Sometimes, indeed, the smile drew tears. But in all true humor
lies its germ, pathos. Oh! by the goddess Moria, or Folly, but he was
at home in his theme. He viewed man first in the savage state,
preferring in this the positive accounts of voyagers and travellers to
the vague myths of antiquity and the dreams of speculators on our
pristine state. From Australia and Abyssinia he drew pictures of
mortality unadorned, as lively as if he had lived amongst Bushmen and
savages all his life. Then he crossed over the Atlantic, and brought
before you the American Indian, with his noble nature, struggling into
the dawn of civilization, when Friend Penn cheated him out of his
birthright, and the Anglo-Saxon drove him back into darkness. He showed
both analogy and contrast between this specimen of our kind and others
equally apart from the extremes of the savage state and the cultured,--
the Arab in his tent, the Teuton in his forests, the Greenlander in his
boat, the Finn in his reindeer car. Up sprang the rude gods of the
North and the resuscitated Druidism, passing from its earliest
templeless belief into the later corruptions of crommell and idol. Up
Public-domain text, read in full here on John Shaqi.
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