"There is not a mystical creation, type, symbol, or poetical invention for meanings abtruse, recondite, and incomprehensible which is not represented by the female gender," said my father, having his hand quite buried in his waistcoat. "For instance, the Sphinx and Isis, whose veil no man had ever lifted, were both ladies, Kitty! And so was Persephone, who must be always either in heaven or hell; and Hecate, who was one thing by night and another by day. The Sibyls were females, and so were the Gorgons, the Harpies, the Furies, the Fates, and the Teutonic Valkyrs, Nornies, and Hela herself; in short, all representations of ideas obscure, inscrutable, and portentous, are nouns feminine." Heaven bless my father! Augustine Caxton was himself again! I began to fear that the story had slipped away from him, lost in that labyrinth of learning. But luckily, as he paused for breath, his look fell on those limpid blue eyes of my mother, and that honest open brow of hers, which had certainly nothing in common with Sphinxes, Fates, Furies, or Valkyrs; and whether his heart smote him, or his reason made him own that he had fallen into a very disingenuous and unsound train of assertion, I know not, but his front relaxed, and with a smile he resumed: "Ellinor was the last person in the world to deceive any one willingly. Did she deceive me and Roland, that we both, though not conceited men, fancied that, if we had dared to speak openly of love, we had not so dared in vain; or do you think, Kitty, that a woman really can love (not much, perhaps, but somewhat) two or three, or half a dozen, at a time?" "Impossible!" cried my mother. "And as for this Lady Ellinor, I am shocked at her--I don't know what to call it!"