The Caxtons: A Family Picture — Volume 11Lytton, Edward Bulwer Lytton, Baron
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The Caxtons: A Family Picture — Volume 11
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Families -- Fiction
There is no place more delightful than a great capital if you are
comfortably settled in it, have arranged the methodical disposal of your
time, and know how to take business and pleasure in due proportions. But
a flying visit to a great capital in an unsettled, unsatisfactory way; at
an inn--an inn in the City too--with a great, worrying load of business
on your mind, of which you are to hear no more for three days, and an
aching, jealous, miserable sorrow at the heart such as I had, leaving you
no labor to pursue and no pleasure that you have the heart to share in,--
oh, a great capital then is indeed forlorn, wearisome, and oppressive!
It is the Castle of Indolence, not as Thomson built it, but as Beckford
drew in his Hall of Eblis,--a wandering up and down, to and fro; a great,
awful space, with your hand pressed to your heart; and--oh for a rush on
some half-tamed horse through the measureless green wastes of Australia!
That is the place for a man who has no home in the Babel, and whose hand
is ever pressing to his heart, with its dull, burning pain.
Mr. Squills decoyed me the second evening into one of the small theatres;
and very heartily did Mr. Squills enjoy all he saw and all he heard. And
while, with a convulsive effort of the jaws, I was trying to laugh too,
suddenly in one of the actors, who was performing the worshipful part of
a parish beadle, I recognized a face that I had seen before. Five
minutes afterwards I had disappeared from the side of Squills, and was
amidst that strange world,--Behind The Scenes.
My beadle was much too busy and important to allow me a good opportunity
to accost him till the piece was over. I then seized hold of him as he
was amicably sharing a pot of porter with a gentleman in black shorts and
a laced waistcoat, who was to play the part of a broken-hearted father in
the Domestic Draina in Three Acts that would conclude the amusements of
the evening.
"Excuse me," said I, apologetically; "but as the Swan pertinently
observes, 'Should auld acquaintance be forgot?'"
"The Swan, sir!" cried the beadle, aghast,--"the Swan never demeaned
himself by such d--d broad Scotch as that!"
"The Tweed has its swans as well as the Avon, Mr. Peacock."
"St--st--hush--hush- h--u--sh!" whispered the beadle in great alarm, and
eying me, with savage observation, under his corked eyebrows. Then,
taking me by the arm, he jerked me away. When he had got as far as the
narrow limits of that little stage would allow, Mr. Peacock said,--
"Sir, you have the advantage of me; I don't remember you. Ah! you need
not look--by gad, sir, I am not to be bullied--it was all fair play. If
you will play with gentlemen, sir, you must run the consequences."
I hastened to appease the worthy man.
Public-domain text, read in full here on John Shaqi.
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