The Caxtons: A Family Picture — Volume 12Lytton, Edward Bulwer Lytton, Baron
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The Caxtons: A Family Picture — Volume 12
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Families -- Fiction
Blanche (mysteriously).--"I have found a new room, Sisty. Do you think
we may look into it?"
Pisistratus--"Certainly; unless any Bluebeard of your acquaintance told
you not. Where is it?"
Blanche.--"Upstairs, to the left."
Pisistratus.--"That little old door, going down two stone steps, which
is always kept locked?"
Blanche.--"Yes; it is not locked to-day. The door was ajar, and I
peeped in; but I would not do more till I came and asked you if you
thought it would not be wrong."
Pisistratus.--"Very good in you, my discreet little cousin. I have no
doubt it is a ghost-trap; however, with Juba's protection, I think we
might venture together."
Pisistratus, Blanche, and Juba ascend the stairs, and turn off down a
dark passage to the left, away from the rooms in use. We reach the
arch-pointed door of oak planks nailed roughly together, we push it
open, and perceive that a small stair winds down from the room,--it is
just over Roland's chamber.
The room has a damp smell, and has probably been left open to be aired;
for the wind comes through the unbarred casement, and a billet barns on
the Hearth. The place has that attractive, fascinating air which
belongs to a lumber-room,--than which I know nothing that so captivates
the interest and fancy of young people. What treasures, to them, often
lie hid in those quaint odds and ends which the elder generations have
discarded as rubbish! All children are by nature antiquarians and
relic-hunters. Still, there is an order and precision with which the
articles in that room are stowed away that belies the true notion of
lumber,--none of the mildew and dust which give such mournful interest
to things abandoned to decay.
In one corner are piled up cases and military-looking trunks of
outlandish aspect, with R. D. C. in brass nails on their sides. From
these we turn with involuntary respect and call off Juba, who has wedged
himself behind in pursuit of some imaginary mouse. But in the other
corner is what seems to me a child's cradle,--not an English one,
evidently; it is of wood, seemingly Spanish rosewood, with a railwork at
the back, of twisted columns; and I should scarcely have known it to be
a cradle but for the fairy-like quilt and the tiny pillows, which
proclaimed its uses.
Public-domain text, read in full here on John Shaqi.
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