The Caxtons: A Family Picture — Volume 13 — John Shaqi
The Caxtons: A Family Picture — Volume 13Lytton, Edward Bulwer Lytton, Baron
General
The Caxtons: A Family Picture — Volume 13
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Families -- Fiction
And Blanche sat down beside me, nestled close to me, and leaned her head
upon my shoulder. We were both long silent. It was an evening in the
early spring, clear and serene; the roseate streaks were fading
gradually from the dark gray of long, narrow, fantastic clouds. Tall,
leafless poplars, that stood in orderly level line on the lowland
between the churchyard and the hill, with its crown of ruins, left their
sharp summits distinct against the sky. But the shadows coiled dull and
heavy round the evergreens that skirted the churchyard, so that their
outline was vague and confused; and there was a depth in that lonely
stillness, broken only when the thrush flew out from the lower bushes,
and the thick laurel-leaves stirred reluctantly, and again were rigid in
repose. There is a certain melancholy in the evenings of early spring
which is among those influences of Nature the most universally
recognized, the most difficult to explain. The silent stir of reviving
life, which does not yet betray signs in the bud and blossom, only in a
softer clearness in the air, a more lingering pause in the slowly
lengthening day; a more delicate freshness and balm in the twilight
atmosphere; a more lively, yet still unquiet, note from the birds,
settling down into their Coverts; the vague sense under all that hush,
which still outwardly wears the bleak sterility of winter, of the busy
change, hourly, modestly, at work, renewing the youth of the world, re-
clothing with vigorous bloom the skeletons of things,--all these
messages from the heart of Nature to the heart of Man may well affect
and move us. But why with melancholy? No thought on our part connects
and construes the low, gentle voices. It is not thought that replies
and reasons, it is feeling that hears and dreams. Examine not, O child
of man!--examine not that mysterious melancholy with the hard eyes of
thy reason; thou canst not impale it on the spikes of thy thorny logic,
nor describe its enchanted circle by problems conned from thy schools.
Borderer thyself of two worlds,--the Dead and the Living,--give thine
ear to the tones, bow thy soul to the shadows, that steal, in the Season
of Change, from the dim Border Land.
Blanche (in a whisper).--"What are you thinking of? Speak, pray!"
Pisistratus.--"I was not thinking, Blanche,--or, if I were, the thought
is gone at the mere effort to seize or detain it."
Blanche (after a pause).--"I know what you mean. It is the same with me
often,--so often when I am sitting by my self, quite still. It is just
like the story Primmins was telling us the other evening, 'how there was
a woman in her village who saw things and people in a piece of crystal
not bigger than my hand;(1) they passed along as large as life, but they
were only pictures in the crystal.' Since I heard the story, when aunt
asks me what I am thinking of, I long to say, 'I'm not thinking, I'm
seeing pictures in the crystal!'"
Public-domain text, read in full here on John Shaqi.
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