New beauties demand us. What endless undulations in the various declivities and ascents,--here a slant, there a zigzag! With what majestic disdain yon roof rises up to the left! Doubtless a palace of Genii, or Gin (which last is the proper Arabic word for those builders of halls out of nothing, employed by Aladdin). Seeing only the roof of that palace boldly breaking the sky-line, how serene your contemplations! Perhaps a star twinkles over it, and you muse on soft eyes far away; while below at the threshold--No, phantoms! we see you not from our attic. Note, yonder, that precipitous fall,--how ragged and jagged the roof-scene descends in a gorge! He who would travel on foot through the pass of that defile, of which we see but the picturesque summits, stops his nose, averts his eyes, guards his pockets, and hurries along through the squalor of the grim London lazzaroni. But seen above, what a noble break in the sky-line! It would be sacrilege to exchange that fine gorge for a dead flat of dull rooftops. Look here, how delightful! that desolate house with no roof at all,--gutted and skinned by the last London fire! You can see the poor green-and-white paper still clinging to the walls, and the chasm that once was a cupboard, and the shadows gathering black on the aperture that once was a hearth! Seen below, how quickly you would cross over the way! That great crack forebodes an avalanche; you hold your breath, not to bring it down on your head. But seen above, what a compassionate, inquisitive charm in the skeleton ruin! How your fancy runs riot,--re-peopling the chambers, hearing the last cheerful good- night of that destined Pompeii, creeping on tiptoe with the mother when she gives her farewell look to the baby. Now all is midnight and silence; then the red, crawling serpent comes out. Lo! his breath; hark! his hiss. Now, spire after spire he winds and he coils; now he soars up erect,--crest superb, and forked tongue,--the beautiful horror! Then the start from the sleep, and the doubtful awaking, and the run here and there, and the mother's rush to the cradle; the cry from the window, and the knock at the door, and the spring of those on high towards the stair that leads to safety below, and the smoke rushing up like the surge of a hell! And they run back stifled and blinded, and the floor heaves beneath them like a bark on the sea. Hark! the grating wheels thundering low; near and nearer comes the engine. Fix the ladders,--there! there! at the window, where the mother stands with the babe! Splash and hiss comes the water; pales, then flares out, the fire! Foe defies foe; element, element. How sublime is the war! But the ladder, the ladder,--there, at the window! All else are saved,--the clerk and his books; the lawyer with that tin box of title-deeds; the landlord, with his policy of insurance; the miser, with his bank-notes and gold: all are saved,--all but the babe and the mother. What a crowd