The Caxtons: A Family Picture — Volume 18Lytton, Edward Bulwer Lytton, Baron
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The Caxtons: A Family Picture — Volume 18
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century; Families -- Fiction
Steps--one's sense of hearing grows so quick in the Bushland!--steps,
though as light as ever brushed the dew from the harebell! I crept under
the shadow of the huge buttress mantled with ivy. A form comes from the
little door at an angle in the ruins,--a woman's form. Is it my mother?
It is too tall, and the step is more bounding. It winds round the
building, it turns to look back, and a sweet voice--a voice strange, yet
familiar--calls, tender but chiding, to a truant that lags behind. Poor
Juba! he is trailing his long ears on the ground; he is evidently much
disturbed in his mind: now he stands still, his nose in the air. Poor
Juba! I left thee so slim and so nimble,--
"Thy form, that was fashioned as light as a fay's,
Has assumed a proportion more round;"
years have sobered thee strangely, and made thee obese and Primmins-like.
They have taken too good care of thy creature-comforts, O sensual
Mauritanian! Still, in that mystic intelligence we call instinct thou
art chasing something that years have not swept from thy memory. Thou
art deaf to thy lady's voice, however tender and chiding. That's right!
Come near,--nearer,--my cousin Blanche; let me have a fair look at thee.
Plague take the dog! he flies off from her; he has found the scent; he is
making up to the buttress! Now--pounce--he is caught, whining ungallant
discontent! Shall I not yet see the face? It is buried in Juba's black
curls! Kisses too! Wicked Blanche, to waste on a dumb animal what, I
heartily hope, many a good Christian would be exceedingly glad of! Juba
struggles in vain, and is borne off! I don't think that those eyes can
have taken the fierce turn, and Roland's eagle nose can never go with
that voice, which has the coo of the dove.
I leave my hiding-place and steal after the Voice and its owner. Where
can she be going? Not far. She springs up the hill whereon the lords of
the castle once administered justice,--that hill which commands the land
far and wide, and from which can be last caught the glimpse of the
westering sun. How gracefully still is that attitude of wistful repose!
Into what delicate curves do form and drapery harmoniously flow! How
softly distinct stands the lithe image against the purple hues of the
sky! Then again comes the sweet voice, gay and carolling as a bird's,--
now in snatches of song, now in playful appeals to that dull four-footed
friend. She is telling him something that must make the black ears stand
on end, for I just catch the words, "He is coming," and "home."
I cannot see the sun set where I lurk in my ambush amidst the brake and
the ruins, but I feel that the orb has passed from the landscape, in the
fresher air of the twilight, in the deeper silence of eve. Lo! Hesper
comes forth; at his signal, star after star, come the hosts,--
"Ch' eran con lui, quando l' amor divino,
Mosse da prima quelle cose belle!"
And the sweet voice is hushed.
Public-domain text, read in full here on John Shaqi.
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