To return. I noticed that Aunt Gerty looked awfully pleased about
something, and kept sticking her hip out in an engaging way she has,
and I concluded that Mr. Bowser had at last spotted her and thrown her
an encouraging nod, perhaps blown her a kiss, only he is perhaps not
quite low enough for that? But whatever it was, it made her happy. Oh,
if they only could all get the man they want _at the time_ they want
him, what a nice place the world would be, for children at any rate! All
grown-up people's tempers come because they can't get what they want.
And here was I, boxed up with one who hadn't got what she wanted, for a
whole blessed day! She was simply weltering in love, if I may say so.
She had a penny note-book ready to write poetry in, and meant to dream
and write and cry for four hours. I had a nice improper six-penny of my
Aunt Gerty's, but I scarcely hoped that Ariadne would allow me to enjoy
it.
Of course not. She soon began bothering. As soon as we were properly
started, she pulled up her thousand times too thick veil, badly put
on--Ariadne is too simple ever to learn to put on a veil properly as
other women do--and looked hard at herself in her pocket looking-glass,
and sighed and settled her loose tendril and unsettled it, and pinched
her cheek to massage it and restore the subcutaneous deposit the doctor
had told her about. She seemed hopeless and sad, for presently she
said--
"No, I am not looking beautiful to-day!"
A pretty white tear, like a pearl button, shook on her eyelashes, and I
wondered how long she could keep it hanging there? I do believe she was
anxious to look nice because she had an idea she might see Simon at
Morpeth. But one never does see people at stations, and personally, I
think that Ariadne would be far prettier if she didn't know she was
pretty. It is most unkind and inconsiderate of her so-called friends to
keep telling her so. It is just like our horrid lot. In Simon's set,
they would die sooner than pay a girl a compliment to her face. But she
has got so hardened to it that I always have to take her down gently, so
as not to hurt her, same as one does with invalids.
"It doesn't matter how you look," I said, "there is nobody but porters
to see you, and you don't want to mash them and distract them from their
work and make them get the points all wrong. I should have thought you
preferred being alone. You can write in your book. Let us do George's
dodge, and stand at the window whenever we come into a station and look
as repulsive as we can."
George likes to keep the carriage all to himself, and taught us what to
do to secure it, the only time he ever travelled with us. We made a
prominent object of Ben, very sticky with lollipops, and managed to be
by ourselves all the way.
Public-domain text, read in full here on John Shaqi.
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