"Well, I never! Here's a gold handle to my coal-cellar door! I shall
have to wipe my lily hands before I dare use it. And a fine lady of a
dresser that I shall be shy to set a plain dish on. Beetles here, do you
ask, woman?" (To Kate.) "They'd be ashamed to show their faces in such a
smart place as this, I'm thinking. And what's this couple of drucken
little candlesticks for the kitchen? Our Kate'll soon rive the fond bit
handles from off them, or she's not the girl I take her for!"
She banged it hard against the dresser as servants do, to make it break,
but it didn't, and she looked disappointed. Mother then suggested she
should unpack a favourite frying-pan she never goes anywhere without,
and sent Kate out for a pound and a half of loin-chops, and cook was to
fry them for our dinners.
The kitchen fire, after all, was the only one that would burn, so we ate
our chops there, and sat there till bed-time. Ariadne looked like a
picture, sitting at a trestle-table, and a thing like a torch burning at
the back of her head. She was thoroughly disgusted, and got quite cross,
and so did Elizabeth, as the evening went on. She hated trestles, and
flambeaus, and dark Rembrandtish corners, and couldn't lay her hand on
her things nohow, so that when we all went up to bed, Mother said to
her--
"Good-night, Elizabeth. You have been a bit upset, haven't you? I wonder
we have managed to get through the day without a row!"
"So do I, ma'am," said the cook. "Heaps of times I'd have given you
warning for twopence, but you never gave me ought to lay hold on."
A horrid wind sprang up and moaned us off to sleep. I thought once or
twice of George out on the Mediterranean on a tippity yacht, and didn't
quite want him to get drowned, though he had made us live in such an
uncomfortable house. I had tried to colonize a little, and put up a
photograph of Mother done at Ramsgate in a blue frame, to make me feel
more at home. Ariadne had hung up all her necklaces on a row of nails.
She has forty. There is one made of dried marrowfat peas, that she
nibbles when she is nervous, and another of horse's jesses, or whatever
you call them, sewn on red velvet. We have a bed each, costing
fourteen-and-six. They are apt to shut up with you in them. There is no
carpet in our room, and there are not to be any. We are to be hardy.
Nothing rouses one like a touch of cold floor in the mornings, and cools
one on hot nights better than the same. Our water-jug too is an odd
shape. I tilted all the water out of it on to the floor the first time I
tried to use it. It must be French, it is so small. I shall not wash my
hands very often in the days to come, I fancy.
Ariadne began to get reconciled to our room when she had made up her
mind it was like the bower of a mediæval chatelaine, or like Princess
Ursula's bedroom in Carpaccio, but I prefer Early Victorian, and cried
myself to sleep.
Public-domain text, read in full here on John Shaqi.
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