"Eyes without their context mean nothing!" she said, and then I knew the
woman was Christina, for that was the very thing she had once said to
Ariadne to tease her. She evidently thinks it good enough to say twice.
"Come!" she said to George. "Speak to me, say anything to me that the
hour and the mood permit. I want to hear how a poet makes love!"
"Madame!" said George, bowing. I think he was a little shocked, but
after all, if he will give a masked ball, what can he expect? Only I had
no idea that Christina could have done it so well!
"Come," she said again, tapping her foot to show that she had grown
impatient. "Come, a madrigal--a _ballade_, in any kind of china!"
I fancy it was then that George began to suspect that it wasn't Lady
Scilly. She couldn't have managed that about ballads and lyrics.
He asked her if she would lift up the lace of her mask a little--just a
little.
"No, no, I dare not!" she cried out. "There is a hobgoblin called Ben in
the room--a sort of lubber fiend who loves to play pranks on people. Why
on earth don't you send that boy to school?"
I could not help giggling. George looked cross, for this was personal,
and he took the first chance of leaving the mask's side. There wasn't a
buzz of talk in the room, no, not at all, for everybody was trying so
hard to say something clever and appropriate, that they mostly didn't
say anything, but mooned about, trying to look as if they were enjoying
themselves hugely, and secretly bored to death all the time. The only
time people are really gay, I observe, is at a funeral, or at _Every
man_, or somewhere where they particularly shouldn't be jolly.
I was thinking sadly about my dear Mother, and wondering where she was,
when I ran against a Frenchman, a real Frenchman, and he asked me where
was the mistress of the house, and that showed me that other people
thought about her too; I didn't answer for a moment, and he went on in a
kind of dreamy voice--
"I was brought here to see an English interior----"
"Well," I said. "It's inside four walls, isn't it?"
"_Mon Dieu, mademoiselle_," said he, "I had made to myself another idea
of _le home Anglais_--the fireside--the _maîtresse de la maison_ with
her keys depending from her girdle--the children--the sacred children,
standing round her--_bébé_ crowing----"
"There isn't any baby!" I said, "and a good thing too! But this is a
party, don't you see, and we are all playing the fool, and we shall be
sensible to-morrow, and if you will excuse me, I am one of the sacred
children, and I am just looking for my mother's knee to go and stand
against."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account