The Celestial Omnibus, and Other StoriesForster, E. M. (Edward Morgan)
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The Celestial Omnibus, and Other Stories
Forster, E. M. (Edward Morgan)
English fiction -- 20th century; Short stories, English
I always make a point of behaving pleasantly to Italians, however little
they may deserve it; but this habit of promiscuous intimacy was
perfectly intolerable and could only lead to familiarity and
mortification for all. Taking Miss Robinson aside, I asked her
permission to speak seriously to Eustace on the subject of intercourse
with social inferiors. She granted it; but I determined to wait till the
absurd boy had calmed down a little from the excitement of the day.
Meanwhile, Gennaro, instead of attending to the wants of the two new
ladies, carried Eustace into the house, as if it was the most natural
thing in the world.
"Ho capito," I heard him say as he passed me. 'Ho capito' is the Italian
for 'I have understood'; but, as Eustace had not spoken to him, I could
not see the force of the remark. It served to increase our bewilderment,
and, by the time we sat down at the dinner-table, our imaginations and
our tongues were alike exhausted.
I omit from this account the various comments that were made, as few of
them seem worthy of being recorded. But, for three or four hours, seven
of us were pouring forth our bewilderment in a stream of appropriate and
inappropriate exclamations. Some traced a connection between our
behaviour in the afternoon and the behaviour of Eustace now. Others saw
no connexion at all. Mr. Sandbach still held to the possibility of
infernal influences, and also said that he ought to have a doctor.
Leyland only saw the development of "that unspeakable Philistine, the
boy." Rose maintained, to my surprise, that everything was excusable;
while I began to see that the young gentleman wanted a sound thrashing.
The poor Miss Robinsons swayed helplessly about between these diverse
opinions; inclining now to careful supervision, now to acquiescence, now
to corporal chastisement, now to Eno's Fruit Salt.
Dinner passed off fairly well, though Eustace was terribly fidgety,
Gennaro as usual dropping the knives and spoons, and hawking and
clearing his throat. He only knew a few words of English, and we were
all reduced to Italian for making known our wants. Eustace, who had
picked up a little somehow, asked for some oranges. To my annoyance,
Gennaro, in his answer made use of the second person singular--a form
only used when addressing those who are both intimates and equals.
Eustace had brought it on himself; but an impertinence of this kind was
an affront to us all, and I was determined to speak, and to speak at
once.
When I heard him clearing the table I went in, and, summoning up my
Italian, or rather Neapolitan--the Southern dialects are execrable--I
said, "Gennaro! I heard you address Signor Eustace with 'Tu.'"
"It is true."
"You are not right. You must use 'Lei' or 'Voi'--more polite forms. And
remember that, though Signor Eustace is sometimes silly and
foolish--this afternoon for example--yet you must always behave
respectfully to him; for he is a young English gentleman, and you are a
poor Italian fisher-boy."
Public-domain text, read in full here on John Shaqi.
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