The Celestial Omnibus, and Other StoriesForster, E. M. (Edward Morgan)
General
The Celestial Omnibus, and Other Stories
Forster, E. M. (Edward Morgan)
English fiction -- 20th century; Short stories, English
"I understand almost everything," I heard him say. "The trees, hills,
stars, water, I can see all. But isn't it odd! I can't make out men a
bit. Do you know what I mean?"
"Ho capito," said Gennaro gravely, and took his arm off Eustace's
shoulder. But I made the new note crackle in my pocket; and he heard it.
He stuck his hand out with a jerk; and the unsuspecting Eustace gripped
it in his own.
"It is odd!" Eustace went on--they were quite close now--"It almost
seems as if--as if----"
I darted out and caught hold of his arm, and Leyland got hold of the
other arm, and Mr. Sandbach hung on to his feet. He gave shrill
heart-piercing screams; and the white roses, which were falling early
that year, descended in showers on him as we dragged him into the house.
As soon as we entered the house he stopped shrieking; but floods of
tears silently burst forth, and spread over his upturned face.
"Not to my room," he pleaded. "It is so small."
His infinitely dolorous look filled me with strange pity, but what could
I do? Besides, his window was the only one that had bars to it.
"Never mind, dear boy," said kind Mr. Sandbach. "I will bear you company
till the morning."
At this his convulsive struggles began again. "Oh, please, not that.
Anything but that. I will promise to lie still and not to cry more than
I can help, if I am left alone."
So we laid him on the bed, and drew the sheets over him, and left him
sobbing bitterly, and saying: "I nearly saw everything, and now I can
see nothing at all."
We informed the Miss Robinsons of all that had happened, and returned to
the dining-room, where we found Signora Scafetti and Gennaro whispering
together. Mr. Sandbach got pen and paper, and began writing to the
English doctor at Naples. I at once drew out the note, and flung it down
on the table to Gennaro.
"Here is your pay," I said sternly, for I was thinking of the Thirty
Pieces of Silver.
"Thank you very much, sir," said Gennaro, and grabbed it.
He was going off, when Leyland, whose interest and indifference were
always equally misplaced, asked him what Eustace had meant by saying 'he
could not make out men a bit.'
"I cannot say. Signor Eustazio--" (I was glad to observe a little
deference at last) "has a subtle brain. He understands many things."
"But I heard you say you understood," Leyland persisted.
"I understand, but I cannot explain. I am a poor Italian fisher-lad.
Yet, listen: I will try." I saw to my alarm that his manner was
changing, and tried to stop him. But he sat down on the edge of the
table and started off, with some absolutely incoherent remarks.
"It is sad," he observed at last. "What has happened is very sad. But
what can I do? I am poor. It is not I."
I turned away in contempt. Leyland went on asking questions. He wanted
to know who it was that Eustace had in his mind when he spoke.
Public-domain text, read in full here on John Shaqi.
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